Paper

Showing 1729–1752 of 2166 results

Rueil, Tomba dell’Imperatrice Giuseppina, A.H.Payne, 1840-50

20,00 

Rueil, Tomba dell’Imperatrice Giuseppina It is an etching made by AH Payne between 1840 and 1850.
Questa opera rappresenta un’importante testimonianza artistica e storica, pubblicata nel volume Payne's Universum und Buch der Kunst, published in Leipzig and Dresden.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 18×24 approx.
  • Technique: Etching
  • Support: Medium thickness paper
  • Condition: Excellent condition

European Russia, 1865

60,00 

European Russia, 1865 It is a watercolor map that offers a detailed view of Russia in the year 1865.
Drawn by Naymiller and engraved by Allodi, this map is part of theAtlas of Universal Geography Chronological, Historical, Statistical and Literary by Francesco Pagnoni, published in Milan in 1865.

  • Sheet size: cm. 49×38 approx.
  • Paper size: cm. 40×32 approx.
  • Support: Paper
  • Condition: Excellent

Russia, Arc de Triomphe at the barriers de Peterhof, 1850

25,00 

Russia, Arc de Triomphe at the Peterhof barrier It is an engraving made in 1850, representative of Russian architectural beauty.
This small etching shows particular attention to detail and composition.

  • Sheet size: cm. 10×7 approx.
  • Engraving size: cm. 10×7 plus margins
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

St. Juliana Falconieri, 1800

25,00 

St. Juliana Falconieri It is an engraving made in 1800, which represents a significant work in the artistic panorama of the time.
This engraving was made using the technique ofEtching and of the Burin, and was designed by Gius. Marino and engraved by Gius. Marcucci.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 13×16 approx.
  • Support: Light paper
  • Condition: Good condition

S. Maria della Spina, Pisa, 1850

35,00 

S. Maria della Spina, Pisa it is an etching made by Saverio Pistolesi in 1850.
This work is part of the album entitled Picturesque album designed and engraved by Saverio Pistolesi dedicated to the majesty of Vittorio Emanuele II king of Sardinia, published in Florence in the same year.

  • Sheet size: cm. 35×26 approx.
  • Engraving size: cm. 19×12 approx.
  • Support: Tissue paper glued onto cardboard
  • Condition: Excellent state of preservation

S.Della Bella, Diversi Imbarcamenti

60,00 

Various Vessels It is an engraving made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
Questa opera è una copia in controparte della serie Various Boardings (DeVesme/Massar, 802-809), firmata in basso a sinistra S.D.Bella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

S.Della Bella, Diversi Imbarcamenti

60,00 

Various Vessels It is an engraving made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
Questa opera è una copia in controparte della serie Various Boardings (DeVesme/Massar, 802-809), firmata in basso a sinistra S.D.Bella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

S.Miniato al Monte presso Firenze, 1826

20,00 

S.Miniato al Monte presso Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

St. Rose of Lima, 1750

40,00 

St. Rose of Lima It is an engraving made in 1750, which represents an important religious figure.
This work is made in etching and burin on heavy laid paper, back-glued onto another piece of laid cardboard.

  • Engraving size: mm. 225×156 without margins
  • Condition: Excellent condition
  • Attribution: Probable attribution to Joseph Wagner (1706-1780)

St. Sebastian, 1800

30,00 

St. Sebastian It is an engraving made in 1800, depicting the martyrdom of Saint Sebastian.
This work is made with the technique ofetching and burin, with a strike size of 9x14 cm.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

The reverse is blank and features smaller margins, making this engraving a valuable addition to any collection.

S.Sophia, S.Sophia, Istanbul, 1850

25,00 

S.Sofia, S.Sophia, Istanbul è un’incisione realizzata nel 1850, che offre una splendida veduta della famosa basilica.
This work is an etching on light paper, from a mid-nineteenth-century book.

  • Image size: cm. 11×18 circa
  • Technique: Etching
  • Condition: Excellent
  • Support: Light paper

Sacrifice of Melchizedek, 1830

5,00 

The Sacrifice of Melchizedek It is an engraving made in 1830, which represents a significant moment in biblical tradition.
This work has been published by Mother and Son in Tours, France.

  • Sheet size: cm. 8×14 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Paper

Sacrifice of Melchizedek, 1830

5,00 

The Sacrifice of Melchizedek It is an engraving made in 1830, which represents a significant moment in biblical tradition.
This work has been published by Mother and Son in Tours, France.

  • Sheet size: cm. 8×14 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Paper

Sacro Cuore di Gesù, 1850

25,00 

Sacro Cuore di Gesù è un’incisione realizzata nel periodo 1830-1850, che rappresenta un soggetto di grande devozione cristiana.
Questa opera è stata pubblicata dalla casa editrice Ch.Letaille e Boumard a Parigi, Francia.

  • Sheet size: cm. 8×12 approx.
  • Technique: Acquaforte con bordi trinati acquarellato a mano
  • Condition: Excellent state of preservation
  • Prayer: Yes

Sadeler, Ammon, 1850

40,00 

Sadeler, Ammon It is an engraving made by Joannis and Raphael Sadeler in 1850.
This work is taken from Solitudo sive vitae patrum Eremicolarum, a collection representing the life of hermits, dating back to the 16th-17th century.

  • Sheet size: cm. 26×42 approx.
  • Size of the joke: cm. 17×21 approx.
  • Technique: Etching
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Sadeler, Ciomus, 1850

40,00 

Ciomus It is an engraving made by Joannis and Raphael Sadeler in 1850, taken from the work Solitudo sive vitae patrum Eremicolarum.
Questa opera rappresenta la vita degli eremiti ed è una probabile edizione del XIX secolo.

  • Sheet size: cm. 26×42 approx.
  • Engraving size: cm. 17×21 approx.
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Sadeler, Helias, 1850

40,00 

Sadeler, Helias It is an engraving made by Joannis and Raphael Sadeler in 1850.
This work is taken from Solitudo sive vitae patrum Eremicolarum, a collection representing the life of hermits, dating back to the 16th-17th century.

  • Sheet size: cm. 26×42 approx.
  • Size of the joke: cm. 17×21 approx.
  • Technique: Etching
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Sadeler, Hieronymus, 1850

40,00 

Sadeler, Hieronymus It is an etching made by Joannis and Raphael Sadeler in 1850.
This work is taken from Solitudo sive vitae patrum Eremicolarum, a collection representing the life of hermits, dating back to the 16th-17th century.

  • Sheet size: cm. 26×42 approx.
  • Size of the joke: cm. 17×21 approx.
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Sadeler, Macharius, 1850

40,00 

Sadeler, Macharius It is an engraving made by Joannis and Raphael Sadeler in 1850.
This work is an etching taken from Solitudo sive vitae patrum Eremicolarum, an important collection representing the life of hermits.

  • Sheet size: cm. 26×42 approx.
  • Engraving size: cm. 17×21 approx.
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Sadeler, Onofrius, 1850

40,00 

Sadeler, Onofrius It is an engraving made by Joannis and Raphael Sadeler in 1850.
This work is taken from Solitudo sive vitae patrum Eremicolarum, una raccolta che rappresenta la vita degli eremiti, risalente ai secoli XVI-XVII.

  • Sheet size: cm. 26×42 approx.
  • Engraving size: cm. 17×21 approx.
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Sadeler, Syriac Gold, 1850

40,00 

Sadeler, Syriac Gold It is an engraving made by Joannis and Raphael Sadeler in 1850.
This work is taken from Solitudo sive vitae patrum Eremicolarum, an important collection representing the life of hermits.

  • Sheet size: cm. 26×42 approx.
  • Engraving size: cm. 17×21 approx.
  • Technique: Etching
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Saint Non, L’Abbeveratoio, acquatinta, 1776

40,00 

Saint Non, L’Abbeveratoio è un’incisione realizzata nel 1776 da Jean-Claude Richard de Saint-Non, noto anche come Abate di Saint-Non.
This aquatint su carta vergellata presenta una parziale filigrana e misura cm. 18×14 alla battuta del rame, con margini più piccoli. L’opera è firmata in lastra con ‘Roberti del.’ e ‘Saint Non sc. 1766’.

  • Sheet size: cm. 18×14 approx.
  • Support: Laid paper
  • Condition: Excellent

L’incisione è considerata bella e rara, raffigurante personaggi in un contesto vivace, tipico dello stile di Saint-Non, che era anche un noto umanista e archeologo.

Sala dei baroni a Natale, 1850

20,00 

Sala dei Baroni a Natale è un’incisione realizzata nel 1850, che rappresenta un’atmosfera festiva e suggestiva.
Questa opera è stata disegnata da Melville e incisa da E. Smith, utilizzando la tecnica dell’Etching and Burin.

  • Sheet size: cm. 13×18 approx.
  • Condition: Excellent condition
  • Support: Medium thickness paper

Salerno, Antica Chiesa, 1781-1786

60,00 

Salerno, Antica Chiesa It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This etching offre una vista affascinante di una storica chiesa di Salerno, parte del volume Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily.

  • Sheet size: mm. 230×165 approx.
  • Condition: Perfect state of preservation
  • Support: Paper

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