Etching

Showing 2497–2520 of 2521 results

William Hogarth, Rich's Triumphant Entry, 1822

30,00 

Rich’s Triumphant Entry It is an engraving made by William Hogarth In the 1822.
Questa opera rappresenta il glorioso ingresso di Rich a Covent Garden, con una scena vivace che mostra il trasferimento di Rich e dei suoi accompagnatori da Lincoln’s Inn Fields alla nuova residenza.

  • Sheet size: cm. 23×38 approx.
  • Image size: cm. 17×30 circa
  • Technique: Etching
  • Support: Thick paper without watermark
  • Condition: Excellent

La scena si svolge nell’Area del Covent Garden, dove una lunga processione avanza verso il teatro, con un carro carico di tuoni e fulmini. In testa alla processione, il signor Rich, vestito con la pelle del famoso cane in “Perseo e Andromeda”, cavalca insieme alla sua padrona su un carro guidato da Arlecchino e trainato da satiri.

William Hogarth, The Country Inn Yard, 1822

50,00 

The Country Inn Yard It is an engraving made by William Hogarth In the 1822.
Questa opera rappresenta un vivace cortile di una locanda di campagna durante un momento cruciale: le elezioni.
Hogarth, noto per il suo acuto senso dell’osservazione sociale, cattura l’atmosfera frenetica di questo evento, con una folla che si raduna in fondo all’immagine, suggerendo una critica alla disattenzione del popolo inglese verso le elezioni.

  • Sheet size: cm. 26×38 circa
  • Engraving size: cm. 21×30 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent state of preservation

William Hogarth, The Shrimp Girl 1822

40,00 

The Shrimp Girl It is an etching made by William Hogarth in 1822.
This work is part of Hogarth's famous publications, included in The Works of William Hogarth, published by Baldwin, Cradock and Joy.

  • Sheet size: cm. 48×64
  • Engraving size: cm. 21×17
  • Support: Thick paper without watermark
  • Condition: Excellent condition

James Heath's edition was the last to print directly from Hogarth's original engraved plates.

William Hogarth, Burlesque, 1822

50,00 

Burlesque It is an engraving made by William Hogarth nel 1822, che satirizza la pala d’altare di Kent nella chiesa di St. Clement Danes.
Questa opera mette in evidenza le scarse abilità artistiche di Kent, rappresentando angeli e cherubini in modo sproporzionato e caricaturale.

  • Sheet size: cm. 40×30 circa
  • Engraving size: cm. 33×18 circa
  • Support: Thick paper without watermark
  • Condition: Excellent state of preservation

La pala d’altare, commissionata dai parrocchiani, suscitò delusione e fu successivamente rimossa.
L’opera di Hogarth, con la sua chiave satirica, offre una critica pungente all’arte di Kent, evidenziando la sua inadeguatezza.

William Hogarth, Mr Ranby's House, 1822

20,00 

View of Mr Ranby's House It is an engraving made by William Hogarth in 1822.
This work offers a distant view of Mr Ranby's residence in Chiswick, capturing the essence of the landscape of the period.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent condition

William Hogarth, Examination of Bambridge, 1822

50,00 

Examination of Bambridge It is an etching made by William Hogarth in 1822.
Questa opera rappresenta l’esame di Thomas Bambridge davanti a un Comitato della Camera dei Comuni, dove un prigioniero, Jacob Mendez Solas, si inginocchia con una morsa di ferro intorno al collo davanti a Oglethorpe e ad altri parlamentari come Onslow, Egmont, Grant e Hucks.

  • Sheet size: cm. 64×48 approx.
  • Image size: cm. 37×30 circa
  • Support: Thick paper without watermark
  • Condition: Excellent condition

William Hogarth, Garrick in Richard III 1822

70,00 

Garrick in Richard III è un’incisione realizzata da William Hogarth nel 1822, che rappresenta l’attore Mr. David Garrick nel celebre ruolo shakespeariano di Riccardo III.
Questa opera è tratta dal dipinto originale del 1745 e celebra la fama che Garrick ha raggiunto nel 1743 grazie a questa interpretazione.

  • Sheet size: cm. 48×64 circa
  • Image size: cm. 41×52 circa
  • Support: Thick paper without watermark
  • Condition: Excellent condition

William Hogarth, King Henry, 1822

50,00 

King Henry it is an etching made by William Hogarth in 1822, which portrays the famous king Henry VIII together with Anne Boleyn.
This work is an important historical representation, with the image measuring cm. 37×30 on a sheet of paper cm. 64×48, printed on thick paper without watermark.

  • Sheet size: cm. 64×48
  • Image size: cm. 37×30
  • Support: Thick paper
  • Condition: Excellent condition

At the bottom is the wording “Designed & Engraved by Wm Hogarth”.

William Hogarth, Masquerade Ticket, 1822

50,00 

Masquerade Ticket It is an engraving made by William Hogarth in 1822.
Questa opera rappresenta una grande compagnia che preme con impazienza alla porta di una Masquerade, all’interno della stanza affollata da una moltitudine di personaggi grotteschi, che celebrano le orge del luogo.

  • Sheet size: cm. 24×35 circa
  • Image size: cm. 18×25 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent condition

William Hogarth, Putti, 1822

30,00 

William Hogarth, Putti è un’incisione realizzata nel 1822, che rappresenta un momento giocoso della natura.
This work, entitled Boys Peeping at Nature, mostra tre putti e un satiro in una scena vivace.

  • Sheet size: cm. 19×17 circa
  • Engraving size: cm. 15×13 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent state of preservation
  • Technique: Etching and burin

L’opera è un biglietto di abbonamento inciso per A Harlot’s Progress, basato su un disegno a pennello presente nella Royal Collection.
I putti sono rappresentati in attività artistiche, mentre uno di loro cerca di proteggere la statua di Efeso Artemide da uno sguardo indiscreto. Il design trae ispirazione da un dipinto di Rubens e Bruegel, evidenziando l’abilità di Hogarth nel combinare arte e satira.

William Hogarth, Royalty, Episcopacy and Law, 1822

50,00 

Royalty, Episcopacy and Law è un’opera incisoria di William Hogarth, made in 1822.
Questo emblema iconoclasta, eseguito in uno stile surrealista, rappresenta un audace attacco alla classe dirigente inglese dal punto di vista della classe media.

  • Sheet size: cm. 27×30 circa
  • Image size: cm. 18×25 approx.
  • Technique: Etching and burin
  • Support: Thick paper without watermark
  • Condition: Excellent condition

La stampa raffigura re, vescovi e avvocati come forme vuote e meccaniche, simbolizzando il potere di manipolazione attraverso i loro ornamenti. La forma circolare della stampa suggerisce il campo visivo di un telescopio, con un re che tiene uno scettro e un globo, mentre un vescovo è rappresentato in una posizione lussuosa.
L’avvocato, vestito in modo eccessivo, è affiancato da figure simboliche che rappresentano la società aristocratica, creando un’opera ricca di significato e critica sociale.

William Hogarth, Sancho at the Feast Starved by his Physician

70,00 

Sancho at the Feast Starved by his Physician it is an etching made by William Hogarth in 1822.
This work represents a significant moment in Sancho's life, masterfully captured by the artist.

  • Sheet size: cm. 64×48 approx.
  • Image size: cm. 30×30 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent state of preservation

William Hogarth, The Lottery, 1822

50,00 

The Lottery it is an etching made by William Hogarth in 1822, which is a satire on the state lottery.
This iconic work shows a drawing of lots at Guildhall, with allegorical figures explaining the significance of each character in the scene.

  • Sheet size: cm. 32×48
  • Image size: cm. 22×31
  • Support: Thick paper without watermark
  • Condition: Excellent condition

The English caption provides details about the characters:
1) The allegory of National Credit is supported by Justice;
2) Apollo shows Britannia a picture of the earth;
3) Fortune is on the right;
4) Unrestrainedness is on the left;
5) Suspense, Hope and Fear are found at the base of the pedestal;
6) Good Luck is kidnapped by Pleasure and Madness;
7) Bad Luck is oppressed by Pain, supported by Minerva;
8) Sloth and Avarice complete the scene.
This engraving is an important reflection on the consequences of the lottery and human destiny.

William Hogarth, The Man of Taste 1822

30,00 

The Man of Taste It is an engraving made by William Hogarth in 1822.
This work represents a satirical analysis of the taste and culture of his time.

  • Sheet size: cm. 28×27 approx.
  • Engraving size: cm. 22×16 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent state of preservation

William Hogarth, Woman Swearing a Child, 1822

70,00 

Woman Swearing a Child It is an etching made by William Hogarth in 1822.
This work depicts a pregnant woman swearing before a justice of the peace that the father of her child is a wealthy, married man.
The scene is enriched by the presence of the man's wife, who scolds him, while the real father encourages the woman.

  • Sheet size: cm. 64×48 approx.
  • Engraving size: cm. 30×35 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent state of preservation

William III King of England, 1850

25,00 

William III King of England It is an etching made in the mid-19th century, depicting William III of Orange, known for his role as King of England, Scotland and Ireland.
This print, measuring 10x19 cm without margins, is glued onto another paper support and is presented in excellent condition.

  • Era: XIX
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Cardboard

William III King of England, 1850

30,00 

William III King of England It is an engraving made in 1850, which portrays William III of Orange, known for his historical role as King of England.
This work is made in etching with technique to black way, typical of the mid-1800s.

  • Sheet size: cm. 17×21 approx. without margins
  • Support: Glued onto another paper support
  • Condition: Excellent condition

Winter Raphael (1784-1852), Goats, 1830

35,00 

Goats It is an engraving made by Winter Raphael In the 1830.
This work, an example of etching, is monogrammed at the bottom right with the initials RW and represents a typical subject of 18th century art.

  • Sheet size: cm. 12×16 approx.
  • Support: Heavy laid paper
  • Condition: Excellent state of preservation

Wouvermanns – A Hunting Party, 1830

70,00 

Wouvermanns – Una festa di caccia è un’incisione realizzata nel 1830 da Ralph Cockburn, noto pittore ed incisore e primo custode della Dulwich Picture Gallery.
This work is a splendid colored aquatint measuring 17x23 cm, mounted on a thick cardboard support measuring approximately 26x32 cm.
Al verso si trova il timbro della Haverhill Public Library, rendendo questa opera ancora più interessante per i collezionisti.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×23 approx.
  • Support: Cardboard
  • Condition: Excellent

Yanina, Greece, 1832

25,00 

Yanina, Grecia It is an engraving made in 1832, representative of the first half of the 19th century.
This etching presents an image measuring 9x13 cm on a sheet of 16x22 cm, printed on medium-thickness paper with a white back.

  • Sheet size: cm. 16×22
  • Engraving size: cm. 9×13
  • Support: Medium thickness paper
  • Condition: Excellent condition

Yanina, Greece, 1833

25,00 

Yanina, Grecia It is an engraving made in 1833, representative of the first half of the 19th century.
This etching presents an image measuring 9x13 cm on a sheet of 16x22 cm, printed on medium-thickness paper with a white back.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Zakynthos, Zakynthos, C.Frommel, 1829

25,00 

Zacinto, Zante It is an engraving made by Carl Frommel in 1829.
This work is an etching on medium paper, taken from the volume 50 Bilder zu Virgils Heneide…, which features engravings by Frommel himself.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

Zampieri, Transport of the Cross

60,00 

Carrying the Cross It is an engraving made by Dominic Zampieri, known as the Domenichino, in 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approx.
  • Support: Laid paper
  • Condition: Excellent condition, nice proof with good contrast

Zauli Giuseppe, Portrait of Van Ostade, 1790

50,00 

Portrait of Van Ostade It is an engraving made by Joseph Zauli In the 1790.
This work is an etching on laid paper, representing the famous Dutch painter Adriaen van Ostade, famous for his portraits and scenes of everyday life.

  • Sheet size: cm. 24×19 approx.
  • Engraving size: mm. 135×105 at the copper edge
  • Support: Laid paper
  • Condition: Excellent state of preservation

At the bottom left is the author's signature: Je Jpse pinx. AVOstade and J.Zauli f. and in the center the writing In Aedibus com. Gini Bonon Ass.

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