Etching
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Lettera O, Antonio Pazzi e Domenico Campiglia, XVIII sec.
20,00 €Letter O It is a very charming capital letter, created by Pier Antonio Pazzi And John Domenico Campiglia in the 18th century.
Questo pezzo, che presenta un soggetto mitologico, è un’incisione ad acquaforte che misura circa cm. 6×6 alla battuta del rame.
The initial letter is cut from an 18th century Italian text and features a written verso, signed at the bottom by GDCampiglia of. And PAPazzi f.
- Sheet size: cm. 6×6 approx.
- Technique: Etching
- Condition: Excellent
- Support: Paper
Lettera Q, Antonio Pazzi e Domenico Campiglia, XVIII sec.
20,00 €Lettera Q It is a very charming capital letter, created by Pier Antonio Pazzi And John Domenico Campiglia in the 18th century.
Questo pezzo, che presenta un soggetto mitologico, è un’acquaforte con dimensioni di circa cm. 6×6 alla battuta del rame.
Il capolettera è stato ritagliato da un testo italiano del XVIII secolo e presenta un retro scritto. È firmato in basso da GDCampiglia of. And PAPazzi f.
- Sheet size: cm. 6×6 approx.
- Technique: Etching
- Condition: Excellent
- Support: Paper
Lettera R, Antonio Pazzi e Domenico Campiglia, XVIII sec.
20,00 €Lettera R It is a very charming capital letter, created by Pier Antonio Pazzi And John Domenico Campiglia in the 18th century.
Questo pezzo, che presenta un soggetto mitologico, è un’acquaforte di dimensioni cm. 6×6 circa alla battuta del rame.
Il capolettera è ritagliato da un testo italiano del XVIII secolo e presenta un retro scritto. È firmato in basso da GDCampiglia of. And PAPazzi f.
- Sheet size: cm. 6×6 approx.
- Condition: Excellent condition
- Support: Paper
Lettera S, Antonio Pazzi e Domenico Campiglia, XVIII sec.
20,00 €Lettera S It is a very charming capital letter, created by Antonio Pazzi And Dominic Campiglia in the 18th century.
Questo pezzo, che presenta un soggetto mitologico, è un’acquaforte con dimensioni di circa cm. 6×6 alla battuta del rame.
- Autori: Pier Antonio Pazzi (1706-1768) – incisore, Giovanni Domenico Campiglia (1692-1768) – disegnatore
- Condition: Excellent condition
- Back: Firmato in basso G.D.Campiglia del. e P.A.Pazzi f.
- Support: Ritagliato da testo italiano del XVIII secolo
Lettera T, Antonio Pazzi e Domenico Campiglia, XVIII sec.
20,00 €Lettera T It is a very charming capital letter, created by Pier Antonio Pazzi And John Domenico Campiglia in the 18th century.
Questo pezzo presenta un soggetto mitologico ed è stato realizzato tramite la tecnica dell’etching, con dimensioni di circa cm. 6×6 alla battuta del rame.
The initial letter is cut from an 18th century Italian text and features a written verso, signed at the bottom by GDCampiglia of. And PAPazzi f.
- Condition: Excellent condition
- Dimensions: Small
- Support: Paper
Lettera T, Antonio Pazzi e Domenico Campiglia, XVIII sec.
20,00 €Lettera T It is a very charming capital letter, created by Pier Antonio Pazzi And John Domenico Campiglia in the 18th century.
Questo pezzo, che presenta un soggetto mitologico, è un’acquaforte di dimensioni cm. 6×6 circa alla battuta del rame.
È stato ritagliato da un testo italiano del XVIII secolo e presenta un retro scritto, firmato in basso da GDCampiglia of. And PAPazzi f.
- Sheet size: cm. 6×6 approx.
- Technique: Etching
- Condition: Excellent
- Support: Paper
Letter U, Antonio Pazzi and Domenico Campiglia, 18th century.
20,00 €Lettera U It is a very charming capital letter, created by Pier Antonio Pazzi And John Domenico Campiglia in the 18th century.
This piece, which features a mythological subject, was created using the technique ofetching and measures approximately 6x6 cm at the copper edge.
- Back: Scritto, firmato in basso G.D.Campiglia del. e P.A.Pazzi f.
- Condition: Excellent condition
Lodovico Furlanetto, Spada di Gedeone
50,00 €Spada di Gedeone it is an etching made by Lodovico Furlanetto In the 18th century.
Questa opera presenta una scritta in latino che recita “non est hic aliud nisi gladius Gedeonis. Iudic 7.14” e si vende da Lodovico Furlanetto sopra il ponte de Baretteri.
- Sheet size: cm. 23×15 approx.
- Technique: Etching
- Support: Carta vergellata incollata su altro supporto cartaceo pesante
- Condition: Good
Loreto, Holy House, 1724
30,00 €Loreto, Holy House it's a plan of the Holy House of Mary built in 1724.
This work is taken from Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.
- Sheet size: cm. 16×12 approximately, plus irregular margins
- Technique: Etching
- Support: Medium paper with white back
- Condition: Excellent
Luca Cambiaso, Giuditta e Oloferne, 1786
70,00 €Giuditta e Oloferne è un’incisione realizzata da Luca Cambiaso nel 1786.
Questa opera è un’acquaforte su carta vergellata con filigrana, proveniente dalla Gallery of the Palais Royal, e rappresenta una delle opere più significative dell’artista.
- Engraving size: cm. 24×37 (including the editorial frame)
- Margins: Good irregular margins
- Condition: Excellent condition, nice proof with good contrast
- Published by: J. Couché, Parigi, 1786
Luca Giordano, I Mercanti Scacciati dal Tempio, 1786
70,00 €I Mercanti Scacciati dal Tempio è un’incisione realizzata da Luca Giordano nel 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.
- Engraving size: cm. 24×37 approx.
- Support: Laid paper
- Condition: Excellent condition, nice proof with good contrast
The engraving is taken from Gallery of the Palais Royal, una raccolta che presenta opere delle diverse scuole artistiche, con un’analisi della vita dei pittori e una descrizione storica di ogni quadro, scritta dall’abbé de Fontenai.
Pubblicata a Parigi nel 1786 da J. Couche, questa opera è dedicata a S.A.S. Monseigneur le Duc d’Orléans, Primo Principe del Sangue.
Luca Giordano, The Pool, 1786
70,00 €Luca Giordano, The Pool It is an engraving made in 1786, which represents a work of great artistic value.
This etching is printed on laid paper without watermark and comes from the prestigious Gallery of the Palais Royal, which collects works from different artistic schools.
- Sheet size: cm. 24×37 approximately (including the editorial frame)
- Condition: Excellent condition, nice proof with good contrast
- Support: Laid paper
The work is dedicated to HSH Monseigneur le Duc d'Orléans, First Prince of the Blood, and was published by J. Couché in Paris in 1786.
Lunedì di Passione, Vita di Gesù, 1750-1800
15,00 €Lunedì di Passione, Vita di Gesù è un’incisione realizzata tra il 1750 e il 1800, che rappresenta un momento significativo della vita di Gesù.
Questa opera, stampata in Francia, è caratterizzata da una tecnica di acquaforte colorata e presenta bordi rifilati, conferendo un aspetto elegante e raffinato.
- Sheet size: cm. 5,5×8
- Condition: Excellent state of preservation
- Support: Paper
M.Hofmann, Morte di Filippo II, XVIII secolo
30,00 €Morte di Filippo II è un’incisione realizzata da M. Hofmann nel XVIII secolo.
This work, performed in etching, rappresenta un momento drammatico della storia, raffigurando la morte di Filippo II di Savoia, noto come ‘senza terra’.
- Sheet size: cm. 12×88 circa
- Support: Unlaid paper
- Condition: Excellent
M.Ogier, Costumes of Europe, 1717
150,00 €Costumes of Europe It is a rare collection of 16 etchings made by M.Ogier in 1717, representing the costumes and coats of arms of various European countries.
Each print measures 13x8 cm at the marginal line on a 16x9 cm sheet, printed on laid paper with a white back.
- Subjects represented: Portuguese, Muscovites, Dutch, English, Norwegians, Swedes, French, Danes, Poles, Spanish, Hungarians, Germans, Swiss, Italians, Sicilians, Sardinians and Corsicans.
- Signature: Almost all the prints are signed by M.Ogier sculp and P.Sevin in.
- Condition: Excellent state of preservation.
This is a rare historical document that offers a unique insight into 18th century European culture and traditions.
Macerata, Salmon Thomas, 1738-1768
40,00 €Macerata It is an engraving made by Thomas Salmon between 1738 and 1768.
This work represents the city of Macerata, located in the March of Ancona of the Ecclesiastical State.
- Sheet size: cm. 15×10 approximately, with irregular margins
- Technique: Etching on copper
- Support: Laid paper without watermark
- Condition: Excellent condition
The engraving is taken from the volume The present state of all the Countries, and Peoples of the World, Natural, Political, and Moral…, published in Naples by Thomas Salmon.
Madonna of Neuburg, 1724
40,00 €Madonna di Neuburg It is an engraving made in 1724 da François Misson.
This work is taken from Nieu We Reize van Misson naen door Italy, un volume che documenta i viaggi in Italia.
The press presents a beautiful animated view e si distingue per i suoi dettagli vivaci.
- Sheet size: cm. 16×12 approximately, plus irregular margins
- Technique: Etching
- Support: Medium paper with white back
- Condition: Excellent
Magna Mater, Diana van Ephesen, 1724
40,00 €Great Mother It is an engraving made by Diana van Ephesen in 1724.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.
The press presents a beautiful animated view and stands out for its liveliness and detail.
- Sheet size: cm. 16×12 approximately, plus irregular margins
- Engraving size: cm. 16×12 approx.
- Technique: Etching
- Support: Medium paper with white back
- Condition: Excellent
Malpighia, Botanica, XVIII sec
20,00 €Malpighia, Botanica è un’incisione realizzata nel XVIII secolo, raffigurante la pianta di Malpighia con grandi foglie.
Questa opera è stata realizzata da Turpin e incisa da Corsi utilizzando la tecnica dell’etching.
- Sheet size: cm. 22×13 approx.
- Engraving size: cm. 9×15 approx.
- Support: Light paper
- Condition: Excellent condition
Malta, Plan of the City and Port, Saint-Non, 1781-86
120,00 €Malta, City and Port Map It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.
- Sheet size: cm. 33×50 approx.
- Engraving size: cm. 21x34 approximately at the copper edge
- Support: Paper
- Condition: Excellent condition
The work offers a beautiful animated view of the city and the port of Malta, highlighting the artistic skill of Saint-Non, known for his contribution to the representation of Italian landscapes.
Malta, View of the Port, Saint-Non, 1781-86
60,00 €Malta, View of the Harbour It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.
- Sheet size: cm. 22×33 approx.
- Engraving size: cm. 18×25 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
The view is animated and represents an important testimony of Sicily in the 18th century.
Map of the city of Loreto, 1712
60,00 €Loreto City Map it is an engraving made by P. Mortier in 1712.
This map is an etching on copper, taken from the work The delights of Italy, German edition by De Rogissart, published in Berlin in 1712.
- Sheet size: cm. 16×19 approx.
- Engraving size: cm. 11×15 approx.
- Support: Light laid paper
- Condition: Excellent state of preservation
Map of the city of Piacenza, Mortier 1712
70,00 €Mappa della città di Piacenza è un’incisione realizzata da P. Mortier nel 1712, rappresentante la storica città di Piacenza.
This map is taken from The delights of Italy, German edition by De Rogissart, published in Berlin in 1712.
- Sheet size: cm. 16×19 approx.
- Engraving size: cm. 11×15 approx.
- Technique: Etching on copper
- Support: Light laid paper
- Condition: Excellent condition
Mappa di Napoli, Pozzuoli, 1724
140,00 €Mappa di Napoli, Pozzuoli, 1724 It is an engraving made in etching su carta vergellata con filigrana.
This map is taken from Nieu We Reize van Misson naen door Italy, di Francois Misson, pubblicata a Utrecht nel 1724.
Presenta una bella veduta animata della zona dei Campi Flegrei.
- Sheet size: cm. 17×27 circa, più margini irregolari
- Support: Laid paper
- Condition: Good condition, with two editorial folds
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