Etching

Showing 193–216 of 516 results

Hubert Gravelot, Lo Studio di un Pittore, 1750, XIX secolo

40,00 

Lo Studio di un Pittore è un’incisione realizzata da Hubert Gravelot nel 1750, un’opera che riflette la maestria dell’artista nel catturare l’essenza della pittura.
This engraving, made in etching, è stata realizzata da Amand Durand, un noto incisore del XIX secolo.

  • Sheet size: cm. 28×19 approx.
  • Engraving size: cm. 10×13 approx.
  • Support: Laid paper with partial watermark
  • Condition: Excellent

Hubert-François Bourguignon, Gravelot (1699-1773)

30,00 

Hubert-François Bourguignon, noto come Gravelot, è un incisore francese di grande rilievo, nato il 26 marzo 1699 e scomparso il 20 aprile 1773.
This etching on carta vergata presenta un’incisione di dimensioni mm. 60×105, su un foglio di mm. 120×200, con margini irregolari e retro bianco.

  • Sheet size: mm. 120×200
  • Engraving size: mm. 60×105
  • Condition: Excellent condition

Gravelot è conosciuto per il suo contributo all’illustrazione di libri e per l’introduzione dello stile rococò nel design britannico.
L’opera è firmata da Gravelot e incisa da Catherine Elisabeth Lempereur, un’artista francese attiva nel XVIII secolo.

Veronese, Man between Vice and Virtue, 1786

50,00 

Veronese, The Man Between Vice and Virtue it is an etching made in 1786 by Paolo Caliari, known as Il Veronese.
This work is taken from the Gallery of the Palais Royal, which collects works from different artistic schools, with a historical description of each painting provided by the Abbé de Fontenai.

  • Sheet size: cm. 24×37 approximately (including the editorial frame)
  • Condition: Good, with a lack on the lower left edge
  • Support: Laid paper without watermark
  • Published by: J. Couche, Paris, 1786

Industria della seta, 1700-1780

20,00 

Industria della seta, 1700-1780 è un’acquaforte che rappresenta tre scene significative della lavorazione della seta.
Realizzata su carta vergellata, questa opera offre uno sguardo affascinante su un’industria storica.

  • Sheet size: cm. 20×28 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Isaac van Ostade (1621-1649), Bashan, 1771

30,00 

Isaac van Ostade (1621-1649) è un’incisione realizzata da Pierre-François Basan nel 1771, parte della collezione Cabinet of the Duke of Choiseul.
Questa opera è un’acquaforte su carta vergellata, che riproduce i dipinti del famoso pittore olandese Isaac van Ostade, noto per le sue scene di vita quotidiana.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Israel Silvestre, Chiesa di Notre-Dame de Boulogne

40,00 

Chiesa di Notre-Dame de Boulogne It is an engraving made by Israel Silvestre, un noto artista del XVII secolo.
Questa opera, datata al 18th century, rappresenta un’importante testimonianza artistica dell’epoca.

  • Sheet size: cm. 19×27 approx.
  • Engraving size: cm. 12×25 circa
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Israel Silvestre, Torre di Nesle

40,00 

Torre di Nesle It is an engraving made by Israel Silvestre, un noto artista del XVII secolo.
Questa opera, datata al XVIII secolo, rappresenta la Torre di Nesle e l’Hotel de Nevers.

  • Sheet size: cm. 19×27 approx.
  • Engraving size: cm. 12×25 circa
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

J.F.Swebach, Cavalli e Carro, fine XVIII sec.

40,00 

Cavalli e Carro It is an engraving made by J.F. Swebach alla fine del XVIII secolo.
Questo lavoro rappresenta una scena vivace e dinamica, tipica dello stile dell’artista, noto per le sue opere che catturano la vita quotidiana e la natura.

  • Sheet size: cm. 19×26 approx.
  • Engraving size: cm. 8×14 approx.
  • Technique: Aquatint
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jacob Ruisdael, Basan, 1771

30,00 

Jacob Ruisdael, Basan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jacques Callot, (Nancy 1594-1635) Beggar with jug

40,00 

Beggar with pitcher It is an engraving made by Jacques Callot (Nancy 1594-1635), part of the series The Beggars.
This work is an unsigned etching, characterized by a format of mm. 95×160, made on laid paper without watermark.

  • Sheet size: Small
  • Condition: Excellent
  • Era: 18th century
  • Technique: Etching

Jacques Callot, King's Entreé, 18th century

60,00 

The King's Entree It is an engraving made by Jacques Callot in the 18th century, representing the Sun.
This work is a fine example of etching on thick laid paper.

  • Sheet size: cm. 22×29 approx.
  • Engraving size: cm. 16×23 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Circulation: 18th century
  • Signature: Iac. Callot in et fe Nancy

Jacques-Philippe Le Bas, Basan, 1771

30,00 

Cabinet of the Duke of Choiseul è un’incisione realizzata da Jacques-Philippe Le Bas nel 1771, pubblicata da Pierre-François Basan.
Questa opera fa parte di un’importante raccolta di estampes gravées d’après les tableaux du cabinet de Monseigneur le Duc de Choiseul, and was printed in Paris.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×18 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Jacques-Philippe Le Bas, Basan, 1771

30,00 

Jacques-Philippe Le Bas, Basan, 1771 è un’incisione di grande valore storico, proveniente dal Cabinet of the Duke of Choiseul.
Questo lavoro è parte di un collection of prints realizzato da Pierre-François Basan nel 1771, che raccoglie opere ispirate ai dipinti del Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×18 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Jacques-Philippe Le Bas, Basan, 1771

30,00 

Festa del villaggio è un’incisione realizzata da Jacques-Philippe Le Bas nel 1771, parte del Cabinet of the Duke of Choiseul.
This work is a collection of prints che raccoglie incisioni basate sui dipinti del Duc de Choiseul, pubblicata a Parigi dall’editore Pierre-François Basan.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×18 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jan Baptist Weenix, Gaius Bacchanalia, 1786

50,00 

Gaius Bacchanalia It is an engraving made by Jan Baptist Weenix in 1786.
This work is an etching on laid paper without watermark, from the prestigious Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approx.
  • Support: Laid paper
  • Condition: Excellent condition, nice proof with good contrast

Jan Baptist Weenix, an important Dutch Golden Age painter, is known for his skill in engraving and drawing.
This work is dedicated to HSH Monseigneur le Duc d'Orléans, First Prince of the Blood, and was published by J. Couché in Paris in 1786.

Jan Breughel the Elder, Bashan, 1771

30,00 

Jan Breughel the Elder, Bashan, 1771 It is an engraving made by Pierre-François Basan, which collects works by the famous Flemish painter.
This print is part of the volume Record of recorded prints after the tables on the cabinet of Monseigneur le Duc de Choiseul, published in Paris in 1771.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jan Miel, Bashan, 1771

30,00 

Jan Miel, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jan Miel, also known as Giovanni Miel, was a Flemish painter active in Italy, associated with the Scuola dei Bamboccianti, a group of artists who depicted scenes of everyday life.

Jan Miel, Bashan, 1771

30,00 

Jan Miel, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 13×15 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Jan Miel, noto anche come Giovanni Miel, è stato un pittore fiammingo attivo in Italia, associato alla Scuola dei Bamboccianti, il cui principale esponente era Pieter van Laer.

Jan Miel, Bashan, 1771

30,00 

Jan Miel, Bashan, 1771 It is an engraving made by Pierre-François Basan in 1771, part of the Cabinet of the Duke of Choiseul.
This work is a collection of prints which collects works inspired by the paintings of the Duc de Choiseul, published in Paris.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 13×15 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jan Miel, also known as Giovanni Miel, was a Flemish painter active in Italy, associated with the Scuola dei Bamboccianti, an artistic movement characterized by scenes of everyday life.

Jan Steen, Basan, 1771

30,00 

Jan Steen, Basan è un’incisione realizzata nel 1771, parte del Cabinet of the Duke of Choiseul.
This work is a etching su carta vergellata, che misura alla battuta cm. 17×14 circa su un foglio di cm. 30×20 circa.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jan Steen, nato a Leida nel 1625 o 1626, è celebre per le sue rappresentazioni vivaci e caotiche della vita quotidiana. Le sue opere sono esposte in prestigiosi musei come il Lakenhal, il Rijksmuseum, il Frans Hals Museum e la Mauritshuis.

Jan van der Heyden, 1771

30,00 

Jan van der Heyden, 1771 è un’incisione realizzata da Jan van der Heyden, un noto pittore olandese specializzato nella pittura di paesaggio.
Questa opera è parte del Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise basate sui dipinti del Duc de Choiseul, pubblicata a Parigi nel 1771.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Jan van der Heyden, Bashan, 1771

30,00 

Jan van der Heyden, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, a collection of prints which collects the engravings taken from the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Jan van der Heyden, known for his mastery of landscape painting, is considered a pioneer of vedutism.
Pierre-François Basan, a French engraver, contributed significantly to the dissemination of works of art through his engravings.

Jan van der Heyden, Bashan, 1771

30,00 

Jan van der Heyden, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise da opere del celebre pittore olandese Jan van der Heyden, noto per la sua maestria nella pittura di paesaggio.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jan van der Heyden, Bashan, 1771

30,00 

Jan van der Heyden, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, a collection of prints che raccoglie incisioni basate sui dipinti del Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

Jan van der Heyden, noto per la sua maestria nella pittura di paesaggio, è considerato un precursore del vedutismo.
Pierre-François Basan, a French engraver, contributed significantly to the dissemination of works of art through his engravings.

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