Etching

Showing 577–600 of 931 results

Martini e Le Bas, Achille riconosciuto da Ulisse, 1772

80,00 

Achille riconosciuto da Ulisse è un’incisione realizzata nel 1772 da Pietro Antonio Martini And Jacques Philippe Le Bas.
Questa opera, firmata a quattro mani, presenta una scena iconica in cui Achille viene riconosciuto da Ulisse.

  • Sheet size: mm. 297×225 alla battuta del rame
  • Margins: Piccolissimi, irregolarmente tagliata al margine inferiore
  • Iscrizioni: In basso a sinistra ‘Peint par D.Teniers dans le Gout de Rubens’ e a destra ‘Gravè a l’Eau forte par Martini et terminè par J.Ph. le Bas, 1772’
  • Condition: Ottima prova su carta vergellata forte

Jacques Philippe Le Bas (Parigi 1707 – 1783) è noto per la sua direzione di un autorevole atelier di calcografia a Parigi e per essere caposcuola della gravure libre.
Pietro Antonio Martini (1738-1797) era un talentuoso pittore e incisore italiano.

Massaciuccoli, Temple of Hercules, 1796

40,00 

Massaciuccoli, Temple of Hercules It is an engraving made in 1796, which offers a beautiful view of the Temple of Hercules in Massaciuccoli.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching and aquatint
  • Support: Paper
  • Condition: Excellent state of preservation

Mazara del Vallo, Saint-Non, 1781-86

40,00 

Mazzara del Vallo It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent

La veduta animata rappresenta un’importante testimonianza della Sicilia del XVIII secolo, ben conservata e di grande valore storico.

Messina, The Port, 1850

40,00 

Messina, Il Porto è un’incisione realizzata nel 1850, che offre una splendida veduta del porto di Messina.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by such eminent artists as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32
  • Engraving size: cm. 13×18
  • Support: Strong paper
  • Condition: Perfect

Questa incisione è caratterizzata da una rappresentazione nitida e animata, perfetta per gli amanti dell’arte e della storia.

Metzu and his wife, G.Metzu, 1840-50

20,00 

Metzu e sua moglie è un’acquaforte realizzata da G. Metzu tra il 1840 e il 1850.
Questa stampa è pubblicata nel volume Payne's Royal Dresden Gallery da A.H. Payne e W. French, edito a Dresda, Lipsia e Londra.

  • Sheet size: cm. 21×27
  • Engraving size: cm. 21×27
  • Technique: Etching
  • Support: Strong paper
  • Condition: Excellent

Michelangelo Buonarroti, 1770

30,00 

Michelangelo Buonarroti è un’acquaforte realizzata nel 1770, che ritrae uno dei più grandi artisti del Rinascimento italiano.
Questa opera è un omaggio alla figura di Michelangelo, scultore, pittore, architetto e poeta, riconosciuto come uno dei maggiori artisti di sempre.

  • Sheet size: cm. 26×21 approx.
  • Engraving size: cm. 9×7 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Michelangelo Cerquozzi, Masks, 1786

60,00 

Masks è un’incisione realizzata da Michelangelo Cerquozzi, noto come Michelangelo delle Battaglie, nel 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.

  • Taken from: Gallery of the Palais Royal
  • Published by: J. Couche, Paris, 1786
  • Condition: Excellent condition, nice proof with good contrast
  • Protagonista: Pulcinella in una scena affascinante

Micheli Pier Antonio, 1857

30,00 

Micheli Pier Antonio è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
Questa opera ritrae il botanico e micologo italiano Pier Antonio Micheli, nato a Firenze il 11 dicembre 1679 e deceduto il 1º gennaio 1737.

  • Sheet size: cm. 23×32
  • Size of the joke: cm. 14×18
  • Support: Strong paper
  • Condition: Ottime, con qualche leggera macchia di ruggine ai bordi che non interessa l’incisione

Milan, Ticinese Barrier, 1860

35,00 

Milan, Ticinese Barrier It is an engraving made in 1860, representing the architectural beauty of Milan.
This work is taken from the album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Technique: Etching
  • Condition: Excellent condition
  • Support: Medium thickness paper

Milano, Tomba di S.Ambrogio, 1850

40,00 

Milano, Tomba di S.Ambrogio è un’incisione realizzata nel 1850, che offre una splendida veduta della famosa tomba.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Milan, View with the Lambro River, 1813

40,00 

Milan, View with the Lambro River It is an engraving made in 1813, which offers a fascinating view of the Lambro river near Monza.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

The view features lively animation and sharp contrast, with a white back that enhances the beauty of the image.

Modena, 1850

40,00 

Modena, 1850 è un’incisione realizzata in acquaforte, che rappresenta una splendida veduta della città.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. di John Sherer, pubblicato dalla London Printing and Publishing Company nel 1850.

  • Engraving size: cm. 13×18,5
  • Sheet size: cm. 22×32
  • Support: Strong paper
  • Condition: Perfect

L’incisione presenta dettagli nitidi e un’animazione che cattura l’essenza di Modena nel XIX secolo.

Wife of Potiphar, C.Cignani, 1840-50

20,00 

Potiphar's Wife It is an engraving made by C. Cignani between 1840 and 1850.
This work, a etching on strong paper, presents a sheet size of cm. 21×27 and a white back.
Published in the Royal Dresden Gallery by A.H. Payne and W. French, this print is a significant example of the engraving art of the period.

  • Sheet size: cm. 21×27
  • Condition: Excellent
  • Support: Strong paper

Mount Erice, Saint-Non, 1781-86

40,00 

Monte Erice It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

La veduta animata di Monte Erice offre uno sguardo affascinante sulla Sicilia, rappresentando un’importante testimonianza artistica e culturale del XVIII secolo.

Monza, The Cathedral, 1860

35,00 

Monza, The Cathedral it is an engraving made in 1860, representing the famous Monza Cathedral.
This work is a high quality etching, from theAlbum of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd Austrian in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Morgagni Antonio, 1857

30,00 

Morgagni Antonio è un’incisione all’acquaforte originale, realizzata nel 1857 e tratta dall’Iconoteca Italiana – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
This work features a joke of cm. 14×18 on a sheet of paper cm. 23×32, realizzata su strong paper with white back.
Si segnala la presenza di qualche leggera macchia di ruggine ai bordi, che non interessa l’incisione.

  • Sheet size: cm. 23×32
  • Engraving size: cm. 14×18
  • Support: Strong paper
  • Condition: Good

Moses strikes the rock, N.Poussin, 1846

30,00 

Moses strikes the rock It is an engraving made by Nicolas Poussin in 1846.
This work is taken from the volume The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Mucca e Vitello, W.French, 1840-50

20,00 

Mucca e Vitello It is an engraving made by W. French between 1840 and 1850.
This work is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Engraving size: cm. not specified
  • Support: Medium thickness paper
  • Condition: Excellent condition

In basso a destra è presente la firma di W. French.
William French, artista inglese nato intorno al 1815 e morto nel 1898, ha collaborato con la casa editrice di Albert Henry Payne, incisore e disegnatore, attivo a Lipsia dal 1838.

Muratori Ludovico Antonio, 1857

30,00 

Muratori Ludovico Antonio it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
Questa opera rappresenta Ludovico Antonio Muratori, un importante sacerdote, scrittore e bibliotecario italiano, nato a Vignola il 21 ottobre 1672 e deceduto a Modena il 23 gennaio 1750.

  • Sheet size: cm. 23×32
  • Size of the joke: cm. 14×18
  • Support: Strong paper
  • Condition: Buone, con qualche leggera macchia di ruggine ai bordi, che non interessa l’incisione

Murillo, Jacob and Rachel, 1830

70,00 

Murillo, Jacob and Rachel It is an engraving made in 1830 by Ralph Cockburn, a well-known painter and engraver, as well as the first keeper of the Dulwich Picture Gallery.
This work is a colored aquatint reproducing one of the famous paintings in the gallery.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The verso bears the Haverhill Public Library stamp, making this work not only rare but decorative as well.

Murillo, Saint John the Baptist, 1830

20,00 

Saint John the Baptist It is an engraving made by Murillo, dated between 1830 and 1850.
It represents the Saint John the Child with a lamb, an iconic subject taken from the Scripture Gallery of Engraving.
The engraving was performed by J.Rogers and published by John Tallis & Co. of London and New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back and editorial frame with vignettes

Leg muscles, glutes 1694

35,00 

Leg muscles, glutes it is an engraving made in 1694 by Giulio Casserio and Odoardo Fialetti.
This work is an anatomy plate illustrating the muscles of the human body, taken from the important work on anatomy Myographia nova, sive musculorum omnium, published in Amsterdam.

  • Sheet size: cm. 34×21 approx.
  • Engraving size: cm. 34×21 approx.
  • Support: Laid paper
  • Condition: Good condition, with Latin writings on the back visible on the front

Muscles, 1814

70,00 

Muscles It is an anatomical plate made in 1814, which illustrates the external posterior muscles of the human trunk.
This work is an etching engraved by Antonio Gajani based on a design by Joseph Guizzardi, and it is part of the volume Anatomical tables for painters and sculptors Of Giambattista Sabattini, published in Bologna.

  • Sheet size: cm. 33×23
  • Engraving size: cm. 24×16
  • Support: Heavy paper
  • Condition: Good condition

This rarity is sold together with the explanations of the plates.

Muscles, 1814

70,00 

Muscles è una tavola anatomica realizzata nel 1814, che illustra i muscoli esterni del tronco visti lateralmente.
Incisa da Antonio Gajani su disegno di Giuseppe Guizzardi, questa opera è parte del volume Anatomical tables for painters and sculptors di Giambattista Sabattini, pubblicato a Bologna.

  • Sheet size: cm. 33×23 approx.
  • Engraving size: cm. 24×16 approx.
  • Support: Heavy paper
  • Condition: Good condition

Rarità, viene venduta insieme alle spiegazioni delle tavole.

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