Etching

Showing 625–648 of 993 results

Modena, 1850

40,00 

Modena, 1850 è un’incisione realizzata in acquaforte, che rappresenta una splendida veduta della città.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. di John Sherer, pubblicato dalla London Printing and Publishing Company nel 1850.

  • Engraving size: cm. 13×18,5
  • Sheet size: cm. 22×32
  • Support: Strong paper
  • Condition: Perfect

L’incisione presenta dettagli nitidi e un’animazione che cattura l’essenza di Modena nel XIX secolo.

Wife of Potiphar, C.Cignani, 1840-50

20,00 

Potiphar's Wife It is an engraving made by C. Cignani between 1840 and 1850.
This work, a etching on strong paper, presents a sheet size of cm. 21×27 and a white back.
Published in the Royal Dresden Gallery by A.H. Payne and W. French, this print is a significant example of the engraving art of the period.

  • Sheet size: cm. 21×27
  • Condition: Excellent
  • Support: Strong paper

Mount Erice, Saint-Non, 1781-86

40,00 

Monte Erice It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

La veduta animata di Monte Erice offre uno sguardo affascinante sulla Sicilia, rappresentando un’importante testimonianza artistica e culturale del XVIII secolo.

Monza, The Cathedral, 1860

35,00 

Monza, The Cathedral it is an engraving made in 1860, representing the famous Monza Cathedral.
This work is a high quality etching, from theAlbum of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd Austrian in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Morgagni Antonio, 1857

30,00 

Morgagni Antonio è un’incisione all’acquaforte originale, realizzata nel 1857 e tratta dall’Iconoteca Italiana – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
This work features a joke of cm. 14×18 on a sheet of paper cm. 23×32, realizzata su strong paper with white back.
Si segnala la presenza di qualche leggera macchia di ruggine ai bordi, che non interessa l’incisione.

  • Sheet size: cm. 23×32
  • Engraving size: cm. 14×18
  • Support: Strong paper
  • Condition: Good

Moses strikes the rock, N.Poussin, 1846

30,00 

Moses strikes the rock It is an engraving made by Nicolas Poussin in 1846.
This work is taken from the volume The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Mucca e Vitello, W.French, 1840-50

20,00 

Mucca e Vitello It is an engraving made by W. French between 1840 and 1850.
This work is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Engraving size: cm. not specified
  • Support: Medium thickness paper
  • Condition: Excellent condition

In basso a destra è presente la firma di W. French.
William French, artista inglese nato intorno al 1815 e morto nel 1898, ha collaborato con la casa editrice di Albert Henry Payne, incisore e disegnatore, attivo a Lipsia dal 1838.

Munster, Coats of arms of Spain and map

70,00 

Munster, Coats of arms of Spain and map It is a page extracted from the Cosmografia di Munster del 1588.
Questa opera presenta gli stemmi di Aragona, Granada, Portogallo, Castiglia, Leon, Toledo, Galizia e Navarra, tutti splendidamente colorati all’acquarello.
Sul retro si trova una mappa della Spagna, rendendo questo pezzo una vera rarità.
Taken from: Cosmographey. Oder beschreibung Aller Länder, herrschafftenn und fürnemesten Stetten … Basel, 1588, edizione tedesca della Universal Cosmography pubblicata per la prima volta nel 1544.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 25×15 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Muratori Ludovico Antonio, 1857

30,00 

Muratori Ludovico Antonio it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
Questa opera rappresenta Ludovico Antonio Muratori, un importante sacerdote, scrittore e bibliotecario italiano, nato a Vignola il 21 ottobre 1672 e deceduto a Modena il 23 gennaio 1750.

  • Sheet size: cm. 23×32
  • Size of the joke: cm. 14×18
  • Support: Strong paper
  • Condition: Buone, con qualche leggera macchia di ruggine ai bordi, che non interessa l’incisione

Murillo, Jacob and Rachel, 1830

70,00 

Murillo, Jacob and Rachel It is an engraving made in 1830 by Ralph Cockburn, a well-known painter and engraver, as well as the first keeper of the Dulwich Picture Gallery.
This work is a colored aquatint reproducing one of the famous paintings in the gallery.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The verso bears the Haverhill Public Library stamp, making this work not only rare but decorative as well.

Murillo, Saint John the Baptist, 1830

20,00 

Saint John the Baptist It is an engraving made by Murillo, dated between 1830 and 1850.
It represents the Saint John the Child with a lamb, an iconic subject taken from the Scripture Gallery of Engraving.
The engraving was performed by J.Rogers and published by John Tallis & Co. of London and New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back and editorial frame with vignettes

Leg muscles, glutes 1694

35,00 

Leg muscles, glutes it is an engraving made in 1694 by Giulio Casserio and Odoardo Fialetti.
This work is an anatomy plate illustrating the muscles of the human body, taken from the important work on anatomy Myographia nova, sive musculorum omnium, published in Amsterdam.

  • Sheet size: cm. 34×21 approx.
  • Engraving size: cm. 34×21 approx.
  • Support: Laid paper
  • Condition: Good condition, with Latin writings on the back visible on the front

Muscles, 1814

70,00 

Muscles It is an anatomical plate made in 1814, which illustrates the external posterior muscles of the human trunk.
This work is an etching engraved by Antonio Gajani based on a design by Joseph Guizzardi, and it is part of the volume Anatomical tables for painters and sculptors Of Giambattista Sabattini, published in Bologna.

  • Sheet size: cm. 33×23
  • Engraving size: cm. 24×16
  • Support: Heavy paper
  • Condition: Good condition

This rarity is sold together with the explanations of the plates.

Muscles, 1814

70,00 

Muscles è una tavola anatomica realizzata nel 1814, che illustra i muscoli esterni del tronco visti lateralmente.
Incisa da Antonio Gajani su disegno di Giuseppe Guizzardi, questa opera è parte del volume Anatomical tables for painters and sculptors di Giambattista Sabattini, pubblicato a Bologna.

  • Sheet size: cm. 33×23 approx.
  • Engraving size: cm. 24×16 approx.
  • Support: Heavy paper
  • Condition: Good condition

Rarità, viene venduta insieme alle spiegazioni delle tavole.

N. Berchem (1620-1683), C.Visscher (1586-1652)

80,00 

Donna su asino It is an engraving made by Nicolaes Berchem (1620-1683) e C. Visscher (1586-1652).
Quest’opera rappresenta un uomo e una donna su un asino, circondati da altri animali, in un contesto che evoca la vita pastorale.

  • Sheet size: cm. 27×21 approx.
  • Support: Carta vergellata con filigrana 1742
  • Condition: Buono stato di conservazione, con macchia ai margini
  • Technique: Etching

Nicolaes Berchem è noto per le sue scene pastorali, mentre C. Visscher è stato un importante incisore e cartografo del secolo d’oro olandese. Questa incisione è una bella prova del loro talento e della loro collaborazione artistica.

N.Poussin, The Assumption of the Virgin, 1830

70,00 

The Assumption of the Virgin It is a colored aquatint made by N. Poussin in 1830.
This work, taken from the Dulwich Gallery by R. Cockburn, presents a splendid execution and is one of the paintings exhibited in the Dulwich Picture Gallery.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The reverse bears the Haverhill Public Library stamp, making this a rare and decorative work.

Nannoni Lorenzo, 1857

30,00 

Nannoni Lorenzo, 1857 è un’incisione all’acquaforte originale tratta da Italian Iconoteca – Collection of sixty portraits of illustrious Italians, pubblicata a Firenze nel 1857.
Questa opera rappresenta Lorenzo Nannoni, un chirurgo italiano nato a Firenze nel 1749 e morto nel 1812.

  • Sheet size: cm. 23×32
  • Size of the joke: cm. 14×18
  • Support: Strong paper
  • Condition: Buone, con qualche leggera macchia di ruggine ai bordi, che non interessa l’incisione.

Napoleone I e III, A.H.Payne, 1840-50

20,00 

Napoleone I e III it is an etching made by A.H. Payne between 1840 and 1850.
Questa opera rappresenta una celebrazione storica dei due imperatori e fa parte della pubblicazione Payne's Universum und Buch der Kunst, edita a Lipsia e Dresda.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 21×27 approx.
  • Technique: Etching
  • Support: Medium thickness paper
  • Condition: Excellent condition

Napoli, Castel Nuovo, 1724

80,00 

Napoli, Castel Nuovo è un’incisione realizzata nel 1724, che offre una splendida veduta animata del famoso castello partenopeo.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×27 approximately, plus irregular margins
  • Engraving size: cm. 16×27 approx.
  • Technique: Etching
  • Support: Laid paper with watermark
  • Condition: Good, it has two editorial folds

Napoli, Chiesa del Carmine, 1850

40,00 

Napoli, Chiesa del Carmine è un’incisione realizzata nel 1850, che offre una splendida veduta della chiesa.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by such eminent artists as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Perfect

Napoli, Chiesa di Santa Maria La Nova, 1712

35,00 

Napoli, Chiesa di Santa Maria La Nova è un’incisione realizzata nel 1712, rappresentante la Cappella di Giac. Della Marca e l’Altare Maggiore della chiesa.
This copper etching è tratta da The delights of Italy di De Rogissart, edizione tedesca, Berlino.

  • Sheet size: cm. 25×15 approx.
  • Engraving size: cm. 21×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

La chiesa di Santa Maria la Nova è una monumentale struttura situata nel centro storico di Napoli, nelle vicinanze di piazza Giovanni Bovio.

Napoli, Fontane Medina, Fonseca, di G. Nola, 1712

35,00 

Napoli, Fontane Medina, Fontana Fonseca è un’incisione realizzata da G. Nola nel 1712.
This work is an etching on copper, taken from the volume The delights of Italy, edizione tedesca pubblicata a Berlino.

  • Sheet size: cm. 25×15 approx.
  • Engraving size: cm. 21×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Napoli, Grotta di Posillipo, 1841

30,00 

Naples, Posillipo Cave è un’incisione all’acquaforte realizzata nel 1841, che rappresenta un’importante veduta della storica Grotta di Posillipo.
Questa opera è stata realizzata da De Francesco, con disegno e incisione di Tarchioni, ed è tratta dal volume Memorie della Storia d’Italia considerata nei suoi Monumenti, scritto da Giuseppe Checchetelli e pubblicato da Domenico Parente.

  • Sheet size: mm. 190×270
  • Engraving size: mm. 184×140
  • Support: Medium paper
  • Condition: Good state of preservation

Napoli, Johann Wilhelm Baur (1607-1642)

50,00 

Naples It is an engraving made by Johann Wilhelm Baur nel 1670, che rappresenta la Piazza von Neapolj al sorgere del sole.
Questa opera è un esempio pregiato di acquaforte, eseguita su carta leggera vergellata senza filigrana.

  • Sheet size: cm. 31×24 circa
  • Engraving size: cm. 20×13 approx.
  • Support: Light laid paper
  • Condition: Buone condizioni (presenta alcune lievi pieghe e spellature ai margini)

Johann Wilhelm Baur, miniatore e incisore, lavorò a Roma e a Napoli tra il 1631 e il 1637, contribuendo con le sue illustrazioni a opere significative come il De bello belgico e le Metamorfosi di Ovidio.

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