Etching

Showing 817–840 of 1256 results

Pinelli, Family of Brigands, 1820

40,00 

Famiglia di Briganti è un’incisione realizzata da Bartolomeo Pinelli nel 1820, che ritrae una scena vivace di briganti intenti a giocare a carte.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching
  • Support: Paper
  • Condition: Excellent state of preservation

Pinelli, Family of Ciociari, 1820

40,00 

Famiglia di Ciociari è un’incisione realizzata da Bartolomeo Pinelli nel 1820, che rappresenta una tipica famiglia ciociara in partenza dal loro paese.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Ottimo stato di conservazione, con lievi macchie di colore al verso

Pinelli, Family of Penzano, 1820

40,00 

Famiglia di Penzano it is an engraving made by Bartolomeo Pinelli in 1820.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent condition, with slight stains of color on the back

Pinelli, Frascatana kidnapped by the Brigands, 1820

40,00 

Frascatana rapita dai Briganti it is an engraving made by Bartolomeo Pinelli in 1820.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent condition, with slight stains of color on the back

Pinelli, The Sacconi Company, 1820

40,00 

La Compagnia dei Sacconi è un’incisione realizzata da Bartolomeo Pinelli nel 1820, che rappresenta il ritorno della compagnia dalla Via Crucis del Colosseo.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching
  • Condition: Ottimo stato di conservazione, con lievi macchie di colore al verso
  • Support: Paper

Pinelli, The Piferari in Rome, 1820

40,00 

The Piferari in Rome it is an engraving made by Bartolomeo Pinelli in 1820.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent, with slight spots of color on the back

Pinelli, Trasteverini dispute, 1820

40,00 

Lite di Trasteverini it is an engraving made by Bartolomeo Pinelli in 1820.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent condition, with slight stains of color on the back

Pinelli, The Scrivener, 1820

40,00 

Lo scrivano è un’incisione realizzata da Bartolomeo Pinelli nel 1820, che rappresenta una scena vivace in piazza Montanara a Roma.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent condition, with slight stains of color on the back

Pinelli, Masks, 1820

40,00 

Masks of the Carnival of Rome it is an engraving made by Bartolomeo Pinelli in 1820.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent condition, with slight stains of color on the back

Pinelli, Trasteverino, 1810

40,00 

Trasteverino it is an engraving made by Bartolomeo Pinelli in 1810.
This work is part of the New Collection of fifty Picturesque Motifs and Costumes of Rome, etched and colored with watercolors.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Support: Paper
  • Condition: Good

L’incisione è firmata in basso a sinistra con “Pinelli inv e incise”.
Si segnala che il foglio presenta alcune imperfezioni, come una riparazione al verso e macchie di colore.

Pisa, Piazza dei Miracoli, 1724

40,00 

Pisa, Square of Miracles It is an engraving made in 1724, which offers a beautiful animated view di uno dei luoghi più iconici d’Italia.
This work is taken from the volume Nieu We Reize van Misson naen door Italy, di Francois van Misson, pubblicato a Utrecht.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Engraving size: cm. 16×12 approx.
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

Pisa, Veduta del Campo Santo, 1850

30,00 

Pisa, Veduta del Campo Santo è un’incisione realizzata nel 1850, che offre una splendida rappresentazione del famoso Campo Santo di Pisa.
This acquatinta su rame è caratterizzata da un’ottima qualità di stampa, con un’immagine contrastata e nitida, che rende l’opera decorativa e affascinante.

  • Sheet size: mm. 192×112 più margini
  • Support: Carta morbida e leggera
  • Condition: Excellent condition

Pistolesi, Theater of Nouveatés, 1850

25,00 

Nouveaute's Theatre it is an etching made by Saverio Pistolesi in 1850.
This work is part of the album Picturesque album designed and engraved by Saverio Pistolesi, dedicated to Vittorio Emanuele II, King of Sardinia.

  • Sheet size: cm. 35×26
  • Engraving size: cm. 10×7
  • Technique: Etching
  • Support: Cardboard
  • Condition: Excellent

Più felice di un re, 1850

20,00 

Più felice di un re è un’incisione realizzata nel 1850, che cattura l’essenza della gioia e della regalità.
The work, entitled Plus heureux que un roi!, è eseguita con la tecnica dell’Etching and of the Burin on medium thickness paper.

  • Engraving size: cm. 13×10 più margini
  • Condition: Excellent condition
  • Support: Paper

Plutarch, 1857

30,00 

Plutarco è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Iconoteca Italiana – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
Questa opera misura la battuta cm. 14×18 su un foglio di cm. 23×32, realizzata su strong paper with white back.
Presenta alcune leggere macchie di ruggine ai bordi, che non interessano l’incisione.

  • Era: XIX
  • Technique: Etching
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Plutarco, nato a Cheronea nel 46/48 d.C. e morto a Delfi nel 127 d.C., è stato un importante scrittore e filosofo dell’Impero Romano, noto per i suoi contributi alla letteratura e alla filosofia.

Poggio a Cajano, Prato, 1826

30,00 

Poggio a Cajano, Prato It is an engraving made by Anthony Verico in 1826.
This work is an etching on copper, from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Pompeii, 1819

25,00 

Pompeii, 1819 It is an engraving made by TO THE CASTELLAN using the etching technique.
This work, which measures 105x140 mm, is taken from the volume Letters on Italy, published in Paris by A. Nepveu in 1819.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter, writer and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to illustrated books such as View of Italy And View of the Alps.

Pompeii, Amphitheatre, 1830

40,00 

Pompeii, Amphitheatre It is a watercolour aquatint made by JW Huber in 1830, belonging to the first half of the 19th century.
This work is part of the publication Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich by Huber and Henry Fuessli.

  • Sheet size: cm. 9×12 (image) + 2 cm (margins)
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompeii, Amphitheatre, 1830

40,00 

Pompeii, Amphitheatre It is a watercolor aquatint made by JW Huber in the first half of the 19th century.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 (image) + 2 cm margins
  • Technique: Aquatint
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompeii, House of the Police Chief, 1841

30,00 

Pompeii, House of the Police Chief it is an engraving made by A. Parboni in 1841.
This work, which represents an important testimony of the city of Pompeii, is made in etching on copper.

  • Sheet size: mm. 270×190
  • Engraving size: mm. 160×120
  • Support: Medium paper
  • Condition: Good state of preservation

Pompeii, Entrance to the Forum, 1830

40,00 

Pompeii, Entrance to the Forum It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 approx.
  • Image size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompeii, Entrance of the Great Portico, 1830

40,00 

Pompei, Entrata del grande Portico It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 approx.
  • Image size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, Entrata della Basilica, 1830

40,00 

Pompei, Entrata della Basilica It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, Interno della casa di Pansa, 1830

40,00 

Pompei, Interno della casa di Pansa It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the series Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, pubblicata a Zurigo tra il 1824 e il 1825.

  • Sheet size: cm. 9×12 approx.
  • Support: Light paper backed with another paper support
  • Condition: Excellent state of preservation

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