Etching

Showing 841–864 of 1256 results

Pompei, La Porta di Ercolano, 1830

40,00 

Pompei, La Porta di Ercolano It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, pubblicato a Zurigo dall’autore e da Henry Fuessli e Comp. tra il 1824 e il 1825.

  • Sheet size: cm. 9×12 approx.
  • Image size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, La strada delle Tombe, 1830

40,00 

Pompei, La strada delle Tombe It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 approx.
  • Image size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent state of preservation

Pompei, La Strada delle Tombe, 1830

40,00 

Pompei, La Strada delle Tombe It is a watercolor aquatint made by JW Huber in the first half of the 19th century.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompeii, Door of the Villa of Herculaneum, 1830

40,00 

Pompei, Porta della Villa di Ercolano It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, Rovine del Tempio di Mercurio, 1830

40,00 

Pompei, Rovine del Tempio di Mercurio It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 approx.
  • Image size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, Rovine del Tempio di Venere, 1830

40,00 

Pompei, Rovine del Tempio di Venere It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 plus 2 cm margins
  • Engraving size: cm. 9×12 approx.
  • Support: Light paper backed with another paper support
  • Condition: Excellent state of preservation

Pompei, Strada delle Tombe, 1830

40,00 

Pompei, Strada delle Tombe It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 approx.
  • Image size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent state of preservation

Pompei, Strada delle Tombe, 1830

40,00 

Pompei, Strada delle Tombe It is a watercolor aquatint made by JW Huber in the first half of the 19th century.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 approx.
  • Image size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, Teatro, 1841

30,00 

Pompei, Teatro è un’incisione realizzata da A. Fornari nel 1841, che rappresenta i resti del celebre teatro di Pompei.
Questa opera, incisa all’acquaforte su rame, è caratterizzata da un’interpretazione animata e decorativa del sito archeologico.

  • Sheet size: mm. 270×190
  • Engraving size: mm. 160×120
  • Support: Medium paper
  • Condition: Good state of preservation

Pompei, Tempio di Iris, 1830

40,00 

Pompei, Tempio di Iris It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, pubblicato tra il 1824 e il 1825.

  • Sheet size: cm. 9×12 approx.
  • Image size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, Veduta del Foro, 1830

40,00 

Pompei, Veduta del Foro è un’incisione realizzata da J.W. Huber nel 1830, che offre una rappresentazione affascinante delle rovine dell’antica città di Pompei.
Questa acquatinta acquarellata è parte della serie Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, pubblicata a Zurigo tra il 1824 e il 1825.

  • Sheet size: cm. 11×14 circa (inclusi margini)
  • Engraving size: cm. 9×12 approx.
  • Technique: Aquatint
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, Via dei Sepolcri, 1841

30,00 

Pompei, Via dei Sepolcri è un’incisione realizzata da E. Penna nel 1841, che rappresenta una vista suggestiva della storica città di Pompei.
This work is an example of incisione all’acquaforte su rame, che cattura l’essenza di un luogo intriso di storia e cultura.

  • Sheet size: mm. 270×190
  • Engraving size: mm. 160×120
  • Support: Medium paper
  • Condition: Good state of preservation

Ponte a S.Trinità di Firenze, 1826

20,00 

Ponte a S.Trinità di Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Ponte a Signa, Firenze, 1826

20,00 

Ponte a Signa, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Ponte alla Carraja di Firenze, 1826

20,00 

Ponte alla Carraja di Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching rappresenta un’importante veduta della città di Firenze, ed è parte del volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Ponte alla Carraja e Palazzo Corsini, Firenze, 1826

20,00 

Ponte alla Carraja e Palazzo Corsini, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Ponte santa Trinità 1833-35

30,00 

Ponte Santa Trinità It is an engraving made by James Duffield Harding between 1833 and 1835.
Questa suggestiva veduta di Firenze è tratta da The Landscape Annual of London.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Acquaforte su acciaio
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

La stampa presenta una nitida e ben contrastata rappresentazione del ponte, animata da dettagli vivaci.

Porta a San Frediano, Firenze, 1826

20,00 

Porta a San Frediano, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Porta alla Croce di Firenze, 1826

20,00 

Porta alla Croce di Firenze it is an engraving made by Antonio Verico in 1826.
Questa opera è un’acquaforte su rame, estratta dal volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Lille Gate, 1850

25,00 

Lilla Gate it is an engraving made by Saverio Pistolesi in 1850.
This work is an etching on tissue paper, glued on cardboard, and is part of the album entitled Picturesque album designed and engraved by Saverio Pistolesi dedicated to the majesty of Vittorio Emanuele II king of Sardinia, published in Florence in 1850.

  • Sheet size: cm. 35×26
  • Engraving size: cm. 12×9
  • Support: Tissue paper and cardboard
  • Condition: Excellent

Portugal, Cintra, Sintra, 1833

25,00 

Portugal, Cintra, Sintra It is an etching made in 1833.
This work represents a fascinating glimpse of the city of Sintra, famous for its landscapes and architecture.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Portugal, Mafra, 1833

25,00 

Portugal, Mafra, 1833 it is an etching made in etching, which represents a work from the first half of the 19th century.
This engraving has an image size of cm. 9×13 on a sheet of paper cm. 16×22, printed on medium-weight paper with white backing.

  • Sheet size: cm. 16×22
  • Engraving size: cm. 9×13
  • Support: Medium thickness paper
  • Condition: Excellent condition

Poussin, Adamo ed Eva, 1809

30,00 

Adam and Eve è un’incisione realizzata da Nicolas Poussin, incisa da De Villiers nel 1809.
Questa opera rappresenta una scena iconica di Adamo ed Eva nel Paradiso, catturando l’essenza della bellezza e della grazia.

  • Sheet size: cm. 12×21 circa
  • Engraving size: cm. 8×11 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Pozzuoli, 1840

40,00 

Pozzuoli, 1840 It is an engraving made by C. Frommel, which represents the picturesque city of Pozzuoli.
This work is part of the volume Picturesque Italy, which celebrates Italian beauty and culture through art.

  • Sheet size: cm. 15×23 approx.
  • Image size: cm. 10×16 approx.
  • Support: White backed paper
  • Condition: Excellent

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