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Etching
Claude – A Landscape, 1830
70,00 €Claude – A landscape It is an engraving made in 1830 by Ralph Cockburn, a well-known painter and engraver, as well as the first keeper of the Dulwich Picture Gallery.
This colored aquatint It is taken from one of the paintings in the gallery and is beautifully executed.
- Sheet size: cm. 26×32 approx.
- Engraving size: cm. 17×23 approx.
- Support: Thick cardboard
- Condition: Excellent
The reverse bears the Haverhill Public Library stamp, making this a rare and decorative work.
Claude Lorrain, The Embarkation of Santa Paola, 1830
70,00 €The Boarding of Santa Paola It is a colored aquatint made by Claude Gellée, known as Claude Lorrain, in 1830.
This work is a splendid execution taken from one of the paintings present in the Dulwich Picture Gallery and created by Ralph Cockburn, painter and engraver, as well as the gallery's first keeper.
- Sheet size: cm. 26×32 approx.
- Engraving size: cm. 17×24 approx.
- Support: Thick cardboard
- Condition: Excellent
- Origin: Dulwich Gallery by R. Cockburn, 1830
- Stamp: Haverhill Public Library on the reverse
Rare and decorative work.
Claude, A Seaport, 1830
70,00 €Claude, A Seaport It is a coloured aquatint made in 1830 by Ralph Cockburn, a well-known painter and engraver as well as the first keeper of the Dulwich Picture Gallery.
This work is a splendid execution based on one of the paintings in the gallery, characterised by a rare and decorative quality.
- Sheet size: cm. 26×32 approx.
- Engraving size: cm. 17×24 approx.
- Support: Thick cardboard
- Condition: Excellent
Clemente XI – Francesco Albani, 1857
30,00 €Clemente XI – Francesco Albani è un’incisione all’acquaforte originale del 1857, tratta dall’Iconoteca Italiana, una collezione di sessanta ritratti di illustri italiani.
Questa opera presenta una battuta di cm. 14×18 su un foglio di cm. 23×32, realizzata su strong paper with white back.
- Sheet size: cm. 23×32
- Engraving size: cm. 14×18
- Support: Strong paper
- Condition: Ottime, con qualche leggera fioritura ai bordi, che non interessa l’incisione.
Como, The promontory of Torno, 1860
35,00 €Como, Il promontorio di Torno è un’acquaforte realizzata nel 1860, che cattura la bellezza del paesaggio lacustre.
Questo lavoro è tratto dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.
- Sheet size: cm. 24×32 approx.
- Engraving size: cm. 20×14 approx.
- Support: Medium thickness paper
- Condition: Excellent state of preservation
Comus and Timon, A.H.Payne, 1840-50
20,00 €Comus and Timone It is an engraving made by AH Payne between 1840 and 1850.
This etching on medium-thickness paper, it has a format of 21x27 cm and a white back.
The engraver's signature is present at the bottom right: AHPayne sc..
The press was published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.
- Sheet size: cm. 21×27
- Condition: Excellent
- Support: Medium thickness paper
Albert Henry Payne, English engraver and designer, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.
Common, in Greek mythology, represents the nocturnal alcoholic revelry, while Helm of Phlius He is an ancient skeptical philosopher, known for his critical thinking.
Corfu, Panorama, 1850
30,00 €Corfù, Panorama It is an engraving made in 1850, che offre una splendida veduta dell’isola di Corfù.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by such eminent artists as Allom, Bartlett and Leitch.
- Sheet size: cm. 22×32 approx.
- Engraving size: cm. 13×18 approx.
- Support: Strong paper
- Condition: Excellent
Questa incisione si distingue per la sua nitidezza e vivacità, rendendola un pezzo prezioso per collezionisti e appassionati di arte.
Cori, Temple of Hercules, 1798
40,00 €Cori, Temple of Hercules It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view offers remarkable animation and contrast, making it a fascinating work for art and history lovers. On the back of the print is a detailed explanation that further enhances the value of the work.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Technique: Etching
- Condition: Excellent
- Support: Paper
Cornelis van Poelenburch, Bashan, 1771
30,00 €Cornelis van Poelenburch, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 14×12 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Cornelis van Poelenburch, Bashan, 1771
30,00 €Cornelis van Poelenburch, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 14×12 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Human body back, 1814
70,00 €Corpo Umano Parte Posteriore it is an anatomical plate created in 1814, engraved by Antonio Gajani based on a drawing by Giuseppe Guizzardi.
This work is part of the volume Anatomical tables for painters and sculptors di Giambattista Sabattini, pubblicato a Bologna.
- Sheet size: cm. 33×23 approx.
- Engraving size: cm. 24×16 approx.
- Technique: Etching
- Support: Heavy paper
- Condition: Good condition
Viene venduta la tavola e le spiegazioni della stessa, rendendola una rarità per collezionisti e studiosi.
Human body, front, 1814
70,00 €Human body, front part it is an anatomical plate created in 1814, engraved by Antonio Gajani based on a drawing by Giuseppe Guizzardi.
This work is part of the Anatomical tables for painters and sculptors by Giambattista Sabattini, published in Bologna.
- Sheet size: cm. 33×23 approx.
- Engraving size: cm. 24×16 approx.
- Support: Heavy paper
- Condition: Good condition
The plate is sold with explanations of the same, making it a rarity for collectors and scholars.
Human body, front, 1814
70,00 €Human body, front part it is an anatomical table created in 1814 by Antonio Gajani, based on a design by Giuseppe Guizzardi.
This etching, part of the volume Anatomical tables for painters and sculptors by Giambattista Sabattini, is a work of great historical and artistic value.
- Sheet size: cm. 33×23 approx.
- Engraving size: cm. 24×16 approx.
- Support: Heavy paper
- Condition: Good condition
The plate is sold together with its explanations, making it a rarity for collectors and anatomy enthusiasts.
Human body, back, 1814
70,00 €Corpo umano, parte posteriore it is an anatomical plate created in 1814, engraved by Antonio Gajani based on a drawing by Giuseppe Guizzardi.
This work is taken from Anatomical tables for painters and sculptors by Giambattista Sabattini, published in Bologna.
- Sheet size: cm. 33×23 approx.
- Engraving size: cm. 24×16 approx.
- Support: Heavy paper
- Condition: Good condition
Viene venduta la tavola e le spiegazioni della stessa, rendendola una rarità per collezionisti e appassionati di anatomia.
Correggio, Jan Van Troyen, La Maddalena,
60,00 €The Magdalene It is an engraving made by Jan Van Troyen, inspired by the work of the famous painter I correct.
This etching, measuring 17x21 cm at the copperplate strike, is printed on a sheet of 26x44 cm, made of thick laid paper without watermark.
- Artists: Correggio (1489-1534) and Jan Van Troyen (1610-1666)
- Condition: Excellent condition
- Price: €60,00
Antonio Allegri, known as I correct, was an important Italian painter of the sixteenth century, influenced by the great masters of the fifteenth century.
Jan Van Troyen, an engraver from Brussels, created works of religious and genre subjects, contributing to the artistic tradition of his time.
Corsica, Fornelli Bay, 1796
40,00 €Corsica, Baia di Fornelli It is an engraving made in 1796, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta è animata e presenta un ottimo contrasto, rendendola un’opera affascinante per gli amanti della cartografia storica. Al retro della stampa è presente una spiegazione dettagliata dell’immagine.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Support: Paper
- Condition: Excellent
Courmayeur, Aosta Valley, 1850
40,00 €Courmayer, Valle d’ Aosta è un’incisione realizzata nel 1850, che offre una splendida veduta di questa località montana.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by such eminent artists as Allom, Bartlett and Leitch.
- Sheet size: cm. 22×32
- Engraving size: cm. 13×18,5
- Support: Strong paper
- Condition: Excellent
Questa incisione è caratterizzata da una nitidezza e vivacità che la rendono un pezzo d’arte da collezione.
Christ at Golgotha, P.Veronese, 1840-50
20,00 €Christ at Golgotha it is an engraving made by P. Veronese between 1840 and 1850.
This work represents the dramatic moment of Christ walking towards Golgotha, made in etching on strong paper.
Published in Payne's Royal Dresden Gallery by A.H. Payne and W. French, this print is a significant example of the engraving art of the period.
- Sheet size: cm. 21×27 approx.
- Condition: Excellent
- Support: Strong paper
Christ prophesying, C.Begas, 1846
30,00 €Cristo che profetizza è un’incisione realizzata da C. Begas nel 1846, che rappresenta il momento in cui Cristo profetizza su Gerusalemme.
This work is taken from The Imperial Family Bible, old and new Testaments, pubblicato da Blackie and Son a Glasgow nel 1846.
- Sheet size: cm. 25×35 approx.
- Engraving size: cm. 15×20 approx.
- Support: Strong paper
- Condition: Excellent state of preservation
Christ prophesying, C.Begas, 1846
30,00 €Cristo che profetizza è un’incisione realizzata da C. Begas nel 1846, che rappresenta il momento in cui Cristo profetizza su Gerusalemme.
This work is taken from The Imperial Family Bible, old and new Testaments, pubblicato da Blackie and Son a Glasgow nel 1846.
- Sheet size: cm. 25×35 approx.
- Engraving size: cm. 15×20 approx.
- Support: Strong paper
- Condition: Excellent state of preservation
Christ gives sight to the blind, H.Richter, 1846
30,00 €Cristo dà la vista ai ciechi è un’incisione realizzata da H. Richter nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.
- Sheet size: cm. 25×35 approx.
- Engraving size: cm. 15×20 approx.
- Support: Strong paper
- Condition: Excellent state of preservation
Christ gives sight to the blind, H.Richter, 1846
30,00 €Cristo dà la vista ai ciechi è un’incisione realizzata da H. Richter nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.
- Sheet size: cm. 25×35 approx.
- Engraving size: cm. 15×20 approx.
- Support: Strong paper
- Condition: Excellent state of preservation
Christ and Matthew, GAPortenone, 1840-50
20,00 €Christ and Matthew it is an engraving made by GA Portenone between 1840 and 1850.
This work is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.
- Sheet size: cm. 21×27
- Support: Strong paper
- Condition: Excellent condition
Christ resurrects, Agostino Carracci, 1846
30,00 €Christ resurrects It is an engraving made by Augustine Carracci In the 1846, which represents the miraculous moment when Christ resurrects the widow's son.
This work is taken from the volume The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.
- Sheet size: cm. 25×35 approx.
- Engraving size: cm. 15×20 approx.
- Support: Strong paper
- Condition: Excellent condition
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