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Etching
Piazza di S.Maria Novella di Firenze, 1826
20,00 €Piazza di S.Maria Novella di Firenze It is an engraving made by Anthony Verico in 1826.
This work is an etching on copper, taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.
- Sheet size: cm. 10×17 approx.
- Engraving size: cm. 7×12 approx.
- Support: Paper
- Condition: Excellent state of preservation
Piazza di S.Spirito, Firenze, 1826
20,00 €Piazza di S.Spirito, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.
- Sheet size: cm. 10×17 approx.
- Engraving size: cm. 7×12 approx.
- Support: Paper
- Condition: Excellent condition
Piazza di S.Trinità di Firenze, 1826
20,00 €Piazza di S.Trinità di Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.
- Sheet size: cm. 10×17 approx.
- Engraving size: cm. 7×12 approx.
- Support: Paper
- Condition: Excellent
Piazza e Duomo di Fiesole, 1826
20,00 €Piazza e Duomo di Fiesole it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.
- Sheet size: cm. 10×17 approx.
- Engraving size: cm. 7×12 approx.
- Support: Paper
- Condition: Excellent state of preservation
Livorno's Piazza Grande, 1826
20,00 €Livorno's main square It is an engraving made by Anthony Verico in 1826, using the technique ofEtching on copper.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.
- Sheet size: cm. 10×17 approx.
- Engraving size: cm. 7×12 approx.
- Support: Paper
- Condition: Excellent state of preservation
St. Mark's Square, Venice, 1883
40,00 €St. Mark's Square, Venice It is an engraving made in 1883, which portrays one of the most iconic places in Venice.
This etching It is signed by Francesco Guardi and has wide margins, making it a work of great artistic value.
- Sheet size: cm. 28×39
- Size of the joke: mm. 305×200
- Support: Thick paper
- Condition: Excellent
Pierre Corneille, 1873
30,00 €Pierre Corneille It is a watercolour etching made in 1873, depicting the famous French playwright.
This engraving is part of the volume Oeuvres de P. Corneille, theater complet, published in Paris in 1873.
- Sheet size: cm. 26×17 approx.
- Engraving size: cm. 9×17 approx.
- Support: White backed paper
- Condition: Excellent state of preservation
Peter Paul Rubens, St. Catherine, 1620, 19th century
60,00 €St. Catherine It is an engraving made by Peter Paul Rubens in 1620, reproduced by Amand Durand in the 19th century.
This work is a significant example of Flemish art, reflecting Rubens' mastery in portraying sacred figures.
- Sheet size: cm. 28×19 approx.
- Engraving size: cm. 23×15 approx.
- Support: Laid paper
- Condition: Excellent
Pietramarina, (Firenze), 1819
25,00 €Pietramarina, un’incisione realizzata da TO THE CASTELLAN nel 1819, rappresenta il famoso Masso del diavolo.
Questa acquaforte è tratta dal volume Letters on Italy, published in Paris by A. Nepveu.
- Size of the joke: mm. 105×140
- Margins: Piccoli margini irregolari
- Back: White
- Condition: Excellent
Antoine-Laurent Castellan, nato a Montpellier nel 1772 e morto a Parigi nel 1838, è stato un noto pittore, scrittore e incisore. Decorato della Legion d’onore e membro dell’Accademia di Belle Arti, ha realizzato opere principalmente dedicate ai paesaggi, contribuendo a libri illustrati come View of Italy And View of the Alps.
Peter and John heal the lame man.
25,00 €Peter and John heal the lame man It is an engraving made by J. Rogers, inspired by the famous healing of the paralytic.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York, between 1830 and 1850.
- Sheet size: cm. 27×21 approx.
- Engraving size: cm. 15×11 approx.
- Support: Heavy paper
- Condition: Excellent condition, white back, with editorial frame with vignettes
Peter and John, Raphael Sanzio, 1846
30,00 €Pietro e Giovanni è un’incisione realizzata da Raffaello Sanzio nel 1846, che rappresenta la scena in cui Pietro e Giovanni curano un zoppo.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.
- Sheet size: cm. 25×35 approx.
- Engraving size: cm. 15×20 approx.
- Support: Strong paper
- Condition: Excellent condition
Peter and John, Raphael Sanzio, 1846
30,00 €Pietro e Giovanni è un’incisione realizzata da Raffaello Sanzio nel 1846, che rappresenta la scena in cui Pietro e Giovanni curano un zoppo.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.
- Sheet size: cm. 25×35 approx.
- Engraving size: cm. 15×20 approx.
- Support: Strong paper
- Condition: Excellent condition
Pietro Scoppetta, Two Oriental Women, 19th-20th century
420,00 €Two oriental women It is a monochrome watercolor made by Peter Scoppetta in the 19th-20th century.
This work, signed lower left, is of fine workmanship and measures approximately cm. 15×28.
- Artist: Pietro Scoppetta (Amalfi, 15 February 1863 – Naples, 10 February 1920)
- Technique: Watercolor
- Condition: Excellent
- Support: Paper
Pietro Vedovato (1774–1847) Marian
40,00 €Marian It is an engraving made by Pietro Vedovato (1774–1847), noto incisore italiano.
Questa opera è un’acquaforte su carta di medio spessore, con una dimensione di cm. 24×17 al margine dell’immagine e presenta una didascalia in inglese.
- Sheet size: cm. 24×17 approx.
- Technique: Etching
- Condition: Fair condition
- Support: Medium thickness paper
Petersburg, Alexander Column, 1850
25,00 €Petersburg, Alexander Column It is an engraving made in 1850, representing the architectural beauty of St. Petersburg.
This etching It measures 10 x 7 cm, excluding margins, and is printed on medium-thickness paper with a white back.
- Sheet size: Small
- Condition: Excellent
- Support: Paper
Pipers, Bagpipers, 1840
70,00 €Pifferai, Zampognari è un’acquaforte acquarellata realizzata nel 1840, tratta dall’opera Costumi di Roma e suoi contorni, disegnata da vari artisti e incisa da Salvatore Marroni.
Questa pregevole opera è stata pubblicata a Roma presso l’editore e calcografo Tommaso Cuccioni, situato in Via della Croce N.88.
- Sheet size: cm. 32×22
- Support: Medium thickness paper with white backing
- Condition: Excellent
Pifferari, Zampognari, acquarello
40,00 €Pifferari, Zampognari it's a beautiful watercolor of exquisite workmanship, created by an anonymous author and datable to the first half of the 19th century.
This little masterpiece, measuring approximately 7x10 cm, is made on cardboard con retro bianco, su cui sono presenti scritte a penna.
- Condition: Excellent state of preservation
- Colors: Alive and bright
Pindus, Greece, C.Frommel, 1829
25,00 €Pindus, Greece It is an engraving made by Carl Frommel in 1829.
This work is part of the volume 50 Bilder zu Virgils Heneide…, featuring high-quality engraving.
- Sheet size: cm. 13×22 approx.
- Engraving size: cm. 7×10 approx.
- Support: Medium paper
- Condition: Excellent state of preservation
Pinelli Bartolomeo (attr.), Studio per la tavola dei Costumi di Filettino, acquarello
250,00 €Autore: attribuito a Bartholomew Pinelli (Roma 1781 – 1835)
Titolo: Studio per la tavola dei Costumi di Filettino
Epoca: prima metà XIX secolo
Tecnica: penna, inchiostro bruno e lavis su carta
Supporto: carta antica
Dimensioni: circa 15 × 24 cm
Descrizione
Raro e interessante disegno attribuito al celebre artista romano Bartolomeo Pinelli, noto per le sue incisioni dedicate alla vita popolare, ai costumi regionali e alle tradizioni dell’Italia centrale.
Il foglio raffigura una scena familiare con tre figure: una giovane donna in piedi con costume tradizionale, un uomo con cappello appoggiato al bastone e una madre seduta che tiene tra le braccia il proprio bambino. A sinistra compare una cesta appoggiata su un basamento in pietra.
La composizione corrisponde alla celebre tavola dei Costumi di Filettino incisa da Pinelli. Tuttavia il disegno presenta una resa più sintetica, concentrata sulle figure e priva dello sfondo paesaggistico e dei complessi tratteggi calcografici presenti nella stampa finale.
L’opera è realizzata con tratto rapido e sicuro a penna e inchiostro bruno, con eleganti passaggi di lavis che modellano i volumi delle figure e conferiscono profondità alla scena.
Considerazioni storico-artistiche
Per impostazione grafica e tecnica esecutiva, il foglio può essere interpretato come:
studio preparatorio o modello di lavoro per l’incisione, oppure
disegno di ambito pinelliano realizzato in relazione alla serie dei costumi popolari.
Il tratto spontaneo e la struttura della composizione suggeriscono una fase di elaborazione grafica precedente alla traduzione calcografica.
Condizioni
Buono stato di conservazione.
Carta con naturale patina del tempo e lievi segni d’uso compatibili con l’epoca.
Pinelli Bartolomeo, Meo Patacca, 1823
1.300,00 €Meo Patacca It is a work created by Bartholomew Pinelli nel 1823, che rappresenta un’importante illustrazione del poema.
Questa seconda edizione, la prima illustrata, è caratterizzata da 52 belle tavole incise all’acquaforte, firmate e datate in lastra, che costituiscono il capolavoro di Pinelli.
- Sheet size: cm. 27×40
- Dimensions of the work: Folio oblungo
- Support: Paper
- Condition: Good condition
Le tavole sono corredate da didascalie e rappresentano un’importante testimonianza dell’arte di Pinelli. Nonostante alcune piccole mancanze alle pagine di avvertimenti e approvazioni, l’interno è fresco e senza macchie. La legatura in mezza pelle, con piatti marmorizzati e titoli in oro, presenta qualche spellatura al dorso, ma nel complesso l’opera è in più che buone condizioni.
Pinelli Bartolomeo, New collection of fifty picturesque costumes, 1817
950,00 €New Collection of Fifty Picturesque Costumes It is a work created by Bartholomew Pinelli in 1817.
This collection, dedicated to His Excellency Alexander Narischkin, Grand Chamberlain of His Majesty the Emperor of all the Russias, is composed of 50 etching plates, numbered from 1 to 50.
- Volume dimensions: mm 168×227
- Support: Rustic cardboard
- Condition: Good copy with slight marginal foxing
The work is published in Rome by Giovanni Scudellari in Via Condotti N. 19 and 20.
Pinelli Bartolomeo, Collection of the costumes of Rome, 1819
1.800,00 €Collection of Roman costumes It is a work created by Bartholomew Pinelli In the 1819.
This collection, published in Rome by Scudellari, includes 50 etchings, all watercolours and signed by the author. The engravings represent professions, costumes and scenes of life of the inhabitants of Rome and its surroundings, offering a fascinating look at the culture of the time.
- Sheet size: cm. 27×42 approx.
- Support: Paper
- Condition: Good
- Binding: Hardback with leather spine (minor defects)
Pinelli, Ballo di Sposi Ciociari, 1820
40,00 €Ballo di Sposi Ciociari it is an engraving made by Bartolomeo Pinelli in 1820.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.
- Sheet size: cm. 19×25 approx.
- Engraving size: cm. 10×14 approx.
- Technique: Etching, colored with watercolor
- Condition: Excellent, with slight spots of color on the back
Pinelli, Capraro di Tivoli, 1820
40,00 €Capraro di Tivoli it is an engraving made by Bartolomeo Pinelli in 1820.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.
- Sheet size: cm. 19×25 approx.
- Engraving size: cm. 10×14 approx.
- Technique: Etching
- Support: Paper
- Condition: Ottime (lievi macchie di colore al verso)
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