Etching

Showing 1033–1056 of 1638 results

Pescatore, acquarello

40,00 

Fisherman it's a watercolor of exquisite workmanship, created by an anonymous author and datable to the first half of the 19th century.
Questo splendido pezzo si distingue per i suoi bright colors e la qualità della sua esecuzione.

  • Sheet size: cm. 7×10 approx.
  • Support: Cardboard with white back
  • Condition: Excellent state of preservation

Pescatore, N.Berghem, 1840-50

20,00 

Fisherman è un’incisione realizzata da N. Berghem tra il 1840 e il 1850.
This work, entitled The Fishery, is an etching on strong paper, published in the prestigious Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27 approx.
  • Condition: Excellent condition
  • Support: Strong paper

Mountain Fish, Terracina, 1819

25,00 

Mountain Fish, Terracina It is an engraving made by TO THE CASTELLAN in 1819.
This work is an etching that measures cm. 10×14 for the joke, on a sheet of paper cm. 20×12 of laid paper.
It is taken from the volume Letters on Italy, published in Paris by A. Nepveu in 1819.

  • Era: XIX
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Laid paper

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter, writer and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he devoted his career mainly to the representation of landscapes for illustrated books such as View of Italy And Letters from ItalyThe Montpellier museum hosts two of his works.

Petrarch Francis, 1857

30,00 

Petrarca Francesco It is an original etching made in 1857, part of the prestigious Italian Iconoteca, a collection of sixty portraits of illustrious Italians.
Questa opera rappresenta un’importante testimonianza artistica del XIX secolo.

  • Sheet size: cm. 23×32
  • Size of the joke: cm. 14×18
  • Support: Strong paper
  • Condition: Ottima, con qualche leggera macchia di ruggine ai bordi, che non interessa l’incisione.

Arezzo Square, 1826

20,00 

Piazza di Arezzo it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Piazza di S.Maria Novella di Firenze, 1826

20,00 

Piazza di S.Maria Novella di Firenze It is an engraving made by Anthony Verico in 1826.
This work is an etching on copper, taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Piazza di S.Spirito, Firenze, 1826

20,00 

Piazza di S.Spirito, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Piazza di S.Trinità di Firenze, 1826

20,00 

Piazza di S.Trinità di Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

Piazza e Duomo di Fiesole, 1826

20,00 

Piazza e Duomo di Fiesole it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Livorno's Piazza Grande, 1826

20,00 

Livorno's main square It is an engraving made by Anthony Verico in 1826, using the technique ofEtching on copper.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

St. Mark's Square, Venice, 1883

40,00 

St. Mark's Square, Venice It is an engraving made in 1883, which portrays one of the most iconic places in Venice.
This etching It is signed by Francesco Guardi and has wide margins, making it a work of great artistic value.

  • Sheet size: cm. 28×39
  • Size of the joke: mm. 305×200
  • Support: Thick paper
  • Condition: Excellent

Pierre Corneille, 1873

30,00 

Pierre Corneille It is a watercolour etching made in 1873, depicting the famous French playwright.
This engraving is part of the volume Oeuvres de P. Corneille, theater complet, published in Paris in 1873.

  • Sheet size: cm. 26×17 approx.
  • Engraving size: cm. 9×17 approx.
  • Support: White backed paper
  • Condition: Excellent state of preservation

Peter Paul Rubens, St. Catherine, 1620, 19th century

60,00 

St. Catherine It is an engraving made by Peter Paul Rubens in 1620, reproduced by Amand Durand in the 19th century.
This work is a significant example of Flemish art, reflecting Rubens' mastery in portraying sacred figures.

  • Sheet size: cm. 28×19 approx.
  • Engraving size: cm. 23×15 approx.
  • Support: Laid paper
  • Condition: Excellent

Pietramarina, (Firenze), 1819

25,00 

Pietramarina, un’incisione realizzata da TO THE CASTELLAN nel 1819, rappresenta il famoso Masso del diavolo.
Questa acquaforte è tratta dal volume Letters on Italy, published in Paris by A. Nepveu.

  • Size of the joke: mm. 105×140
  • Margins: Piccoli margini irregolari
  • Back: White
  • Condition: Excellent

Antoine-Laurent Castellan, nato a Montpellier nel 1772 e morto a Parigi nel 1838, è stato un noto pittore, scrittore e incisore. Decorato della Legion d’onore e membro dell’Accademia di Belle Arti, ha realizzato opere principalmente dedicate ai paesaggi, contribuendo a libri illustrati come View of Italy And View of the Alps.

Peter and John heal the lame man.

25,00 

Peter and John heal the lame man It is an engraving made by J. Rogers, inspired by the famous healing of the paralytic.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York, between 1830 and 1850.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back, with editorial frame with vignettes

Peter and John, Raphael Sanzio, 1846

30,00 

Pietro e Giovanni è un’incisione realizzata da Raffaello Sanzio nel 1846, che rappresenta la scena in cui Pietro e Giovanni curano un zoppo.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Peter and John, Raphael Sanzio, 1846

30,00 

Pietro e Giovanni è un’incisione realizzata da Raffaello Sanzio nel 1846, che rappresenta la scena in cui Pietro e Giovanni curano un zoppo.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Pietro Scoppetta, Two Oriental Women, 19th-20th century

420,00 

Two oriental women It is a monochrome watercolor made by Peter Scoppetta in the 19th-20th century.
This work, signed lower left, is of fine workmanship and measures approximately cm. 15×28.

  • Artist: Pietro Scoppetta (Amalfi, 15 February 1863 – Naples, 10 February 1920)
  • Technique: Watercolor
  • Condition: Excellent
  • Support: Paper

Pietro Vedovato (1774–1847) Marian

40,00 

Marian It is an engraving made by Pietro Vedovato (1774–1847), noto incisore italiano.
Questa opera è un’acquaforte su carta di medio spessore, con una dimensione di cm. 24×17 al margine dell’immagine e presenta una didascalia in inglese.

  • Sheet size: cm. 24×17 approx.
  • Technique: Etching
  • Condition: Fair condition
  • Support: Medium thickness paper

Petersburg, Alexander Column, 1850

25,00 

Petersburg, Alexander Column It is an engraving made in 1850, representing the architectural beauty of St. Petersburg.
This etching It measures 10 x 7 cm, excluding margins, and is printed on medium-thickness paper with a white back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Pipers, Bagpipers, 1840

70,00 

Pifferai, Zampognari è un’acquaforte acquarellata realizzata nel 1840, tratta dall’opera Costumi di Roma e suoi contorni, disegnata da vari artisti e incisa da Salvatore Marroni.
Questa pregevole opera è stata pubblicata a Roma presso l’editore e calcografo Tommaso Cuccioni, situato in Via della Croce N.88.

  • Sheet size: cm. 32×22
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

Pifferari, Zampognari, acquarello

40,00 

Pifferari, Zampognari it's a beautiful watercolor of exquisite workmanship, created by an anonymous author and datable to the first half of the 19th century.
This little masterpiece, measuring approximately 7x10 cm, is made on cardboard con retro bianco, su cui sono presenti scritte a penna.

  • Condition: Excellent state of preservation
  • Colors: Alive and bright

Pindus, Greece, C.Frommel, 1829

25,00 

Pindus, Greece It is an engraving made by Carl Frommel in 1829.
This work is part of the volume 50 Bilder zu Virgils Heneide…, featuring high-quality engraving.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

Pinelli Bartolomeo (attr.), watercolor, 1810-1830

450,00 

Famiglia in Costumi Regionali è un acquarello a due tinte, attribuibile a Bartolomeo Pinelli, realizzato tra il 1810 e il 1830.
Questo affascinante lavoro rappresenta una scena di vita quotidiana, evidenziando i costumi tradizionali dell’epoca.

  • Drawing dimensions: cm. 23,5×16 circa
  • Support: Cartoncino leggero
  • Condition: Buone, con lievi segni di ingiallimento e tracce di precedente incollatura al verso degli angoli

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