Etching

Showing 1057–1080 of 1582 results

Pinelli, The Piferari in Rome, 1815

70,00 

The Piferari in Rome It is an engraving made by Bartholomew Pinelli in 1815, part of the series New Collection of Fifty Picturesque Costumes.
This work depicts a lively scene with bagpipers, capturing the essence of the customs of the Kingdom of Naples.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Paper

Pinelli, The Piferari in Rome, 1820

40,00 

The Piferari in Rome it is an engraving made by Bartolomeo Pinelli in 1820.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent, with slight spots of color on the back

Pinelli, The Scrivener, 1820

40,00 

Lo scrivano è un’incisione realizzata da Bartolomeo Pinelli nel 1820, che rappresenta una scena vivace in piazza Montanara a Roma.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent condition, with slight stains of color on the back

Pinelli, Sailors on the dock of Naples, 1815

80,00 

Marinari sul molo di Napoli it is an engraving made by Bartolomeo Pinelli in 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, etched by Pinelli and published in Rome in 1816.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent state of preservation

Pinelli, Sailors on the Naples Pier, 1815

70,00 

Sailors on the Naples Pier It is an engraving made by Bartholomew Pinelli in 1815, which portrays sailors intent on listening to the Istoria di Rinaldo.
This work is part of the New Collection of Fifty Picturesque Costumes, etched by Pinelli and published in Rome in 1816.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Technique: Etching
  • Support: Paper
  • Condition: Excellent state of preservation

Pinelli, Masks, 1820

40,00 

Masks of the Carnival of Rome it is an engraving made by Bartolomeo Pinelli in 1820.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent condition, with slight stains of color on the back

Pinelli, Trasteverino, 1810

40,00 

Trasteverino it is an engraving made by Bartolomeo Pinelli in 1810.
This work is part of the New Collection of fifty Picturesque Motifs and Costumes of Rome, etched and colored with watercolors.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Support: Paper
  • Condition: Good

L’incisione è firmata in basso a sinistra con “Pinelli inv e incise”.
Si segnala che il foglio presenta alcune imperfezioni, come una riparazione al verso e macchie di colore.

Pisa, Square of Miracles, 1850

40,00 

Pisa, Square of Miracles It is an engraving made in 1850, which offers a splendid view of the famous square.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

This engraving features a clear and lively depiction of the square, making it a must-see piece of art for history and culture lovers.

Pisa, Veduta del Campo Santo, 1850

30,00 

Pisa, Veduta del Campo Santo è un’incisione realizzata nel 1850, che offre una splendida rappresentazione del famoso Campo Santo di Pisa.
This acquatinta su rame è caratterizzata da un’ottima qualità di stampa, con un’immagine contrastata e nitida, che rende l’opera decorativa e affascinante.

  • Sheet size: mm. 192×112 più margini
  • Support: Carta morbida e leggera
  • Condition: Excellent condition

Pistolesi, Theater of Nouveatés, 1850

25,00 

Nouveaute's Theatre it is an etching made by Saverio Pistolesi in 1850.
This work is part of the album Picturesque album designed and engraved by Saverio Pistolesi, dedicated to Vittorio Emanuele II, King of Sardinia.

  • Sheet size: cm. 35×26
  • Engraving size: cm. 10×7
  • Technique: Etching
  • Support: Cardboard
  • Condition: Excellent

Più felice di un re, 1850

20,00 

Più felice di un re è un’incisione realizzata nel 1850, che cattura l’essenza della gioia e della regalità.
The work, entitled Plus heureux que un roi!, è eseguita con la tecnica dell’Etching and of the Burin on medium thickness paper.

  • Engraving size: cm. 13×10 più margini
  • Condition: Excellent condition
  • Support: Paper

Plutarch, 1857

30,00 

Plutarco è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Iconoteca Italiana – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
Questa opera misura la battuta cm. 14×18 su un foglio di cm. 23×32, realizzata su strong paper with white back.
Presenta alcune leggere macchie di ruggine ai bordi, che non interessano l’incisione.

  • Era: XIX
  • Technique: Etching
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Plutarco, nato a Cheronea nel 46/48 d.C. e morto a Delfi nel 127 d.C., è stato un importante scrittore e filosofo dell’Impero Romano, noto per i suoi contributi alla letteratura e alla filosofia.

Poggio a Cajano, Prato, 1826

30,00 

Poggio a Cajano, Prato It is an engraving made by Anthony Verico in 1826.
This work is an etching on copper, from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Polli attaccati da rapaci, M.Hondekoeter, 1840-50

20,00 

Polli attaccati da rapaci è un’incisione realizzata da M. Hondekoeter tra il 1840 e il 1850.
Questa opera, che rappresenta un drammatico incontro tra polli e rapaci, è stata pubblicata nella Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 21×27 approx.
  • Technique: Etching
  • Support: Strong paper
  • Condition: Excellent state of preservation

Pollivendolo, Gabr. Metsu, 1840-50

20,00 

Pollivendolo è un’incisione realizzata da Gabr. Metsu tra il 1840 e il 1850.
Questa opera, conosciuta come The Poulterer, è un’acquaforte su carta forte, pubblicata in Payne's Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent

Pompeii, 1819

25,00 

Pompeii, 1819 It is an engraving made by TO THE CASTELLAN using the etching technique.
This work, which measures 105x140 mm, is taken from the volume Letters on Italy, published in Paris by A. Nepveu in 1819.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter, writer and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to illustrated books such as View of Italy And View of the Alps.

Pompeii, Amphitheatre, 1830

40,00 

Pompeii, Amphitheatre It is a watercolour aquatint made by JW Huber in 1830, belonging to the first half of the 19th century.
This work is part of the publication Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich by Huber and Henry Fuessli.

  • Sheet size: cm. 9×12 (image) + 2 cm (margins)
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompeii, Amphitheatre, 1830

40,00 

Pompeii, Amphitheatre It is a watercolor aquatint made by JW Huber in the first half of the 19th century.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 (image) + 2 cm margins
  • Technique: Aquatint
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompeii, House of the Police Chief, 1841

30,00 

Pompeii, House of the Police Chief it is an engraving made by A. Parboni in 1841.
This work, which represents an important testimony of the city of Pompeii, is made in etching on copper.

  • Sheet size: mm. 270×190
  • Engraving size: mm. 160×120
  • Support: Medium paper
  • Condition: Good state of preservation

Pompeii, Private House, 1850

30,00 

Pompeii, Private House It is an engraving made in 1850, which offers a splendid view of the historic city of Pompeii.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by such eminent artists as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18,5 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Pompeii, Entrance to the Forum, 1830

40,00 

Pompeii, Entrance to the Forum It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 approx.
  • Image size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, Entrata della Basilica, 1830

40,00 

Pompei, Entrata della Basilica It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, I Fori, 1850

30,00 

Pompei, I Fori è un’incisione realizzata nel 1850, rappresentante una splendida veduta della storica città di Pompei.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32
  • Engraving size: cm. 13×18,5
  • Support: Strong paper
  • Condition: Excellent

Questa incisione si distingue per la sua nitidezza e vivacità, rendendola un pezzo prezioso per collezionisti e appassionati di arte.

Pompeii, The Theatre, 1850

30,00 

Pompei, Il Teatro è un’incisione realizzata nel 1850, che offre una splendida veduta del famoso teatro di Pompei.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32
  • Engraving size: cm. 13×18,5
  • Support: Strong paper
  • Condition: Perfect

Questa incisione è caratterizzata da una nitidezza e un’animazione che la rendono un pezzo d’arte eccezionale.

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