Etching

Showing 1321–1344 of 2301 results

Monza, The Cathedral, 1860

35,00 

Monza, The Cathedral it is an engraving made in 1860, representing the famous Monza Cathedral.
This work is a high quality etching, from theAlbum of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd Austrian in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Morgagni Antonio, 1857

30,00 

Morgagni Antonio è un’incisione all’acquaforte originale, realizzata nel 1857 e tratta dall’Iconoteca Italiana – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
This work features a joke of cm. 14×18 on a sheet of paper cm. 23×32, realizzata su strong paper with white back.
Si segnala la presenza di qualche leggera macchia di ruggine ai bordi, che non interessa l’incisione.

  • Sheet size: cm. 23×32
  • Engraving size: cm. 14×18
  • Support: Strong paper
  • Condition: Good

Moscow, Russia, Ivan Velikoi's tour, 1850

25,00 

Moscow, Russia, Ivan Velikoi's tour It is an engraving made in 1850, representing the architectural beauty of Moscow.
This small-sized etching is printed on medium-thickness paper with a white back, making the work particularly fascinating.

  • Sheet size: cm. 10×15 approx.
  • Technique: Etching
  • Condition: Excellent condition
  • Support: Paper

Mosciarellaro, acquarello

40,00 

Mosciarellaro it's a beautiful watercolor di squisita fattura, realizzato da un autore anonimo e databile alla prima metà dell’800.
Questo piccolo capolavoro, di dimensioni cm. 7×10 approx., è eseguito su cardboard with white back.
Presenta alcune scritte sull’immagine, ma si trova in ottimo stato di conservazione e i colori sono particolarmente vivi.

  • Sheet size: cm. 7×10 approx.
  • Condition: Excellent state of preservation
  • Support: Cardboard

Moses opens the rock. 1830-1850.Exodus

25,00 

Moses opens the rock It is an engraving made between 1830 and 1850, which represents the famous biblical episode of the Exodus.
This work is taken from the Scripture Gallery of Engraving and it was engraved by J.Rogers with the original illustration of Murillo.
Published by John Tallis & Co. of London and New York, the engraving is characterised by an editorial frame decorated with vignettes.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Moses strikes the rock, N.Poussin, 1846

30,00 

Moses strikes the rock It is an engraving made by Nicolas Poussin in 1846.
This work is taken from the volume The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Mucca e Vitello, W.French, 1840-50

20,00 

Mucca e Vitello It is an engraving made by W. French between 1840 and 1850.
This work is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Engraving size: cm. not specified
  • Support: Medium thickness paper
  • Condition: Excellent condition

In basso a destra è presente la firma di W. French.
William French, artista inglese nato intorno al 1815 e morto nel 1898, ha collaborato con la casa editrice di Albert Henry Payne, incisore e disegnatore, attivo a Lipsia dal 1838.

Mugnone alle Falde di Fiesole, 1826

20,00 

Mugnone alle Falde di Fiesole it is an engraving made by Antonio Verico in 1826.
This work is an etching on copper, taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Augsburg Town Hall, 1724

40,00 

Municipio di Augusta è un’incisione realizzata nel 1724, che rappresenta una vivace veduta della città di Augusta, in Germania.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

Muratori Ludovico Antonio, 1857

30,00 

Muratori Ludovico Antonio it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
Questa opera rappresenta Ludovico Antonio Muratori, un importante sacerdote, scrittore e bibliotecario italiano, nato a Vignola il 21 ottobre 1672 e deceduto a Modena il 23 gennaio 1750.

  • Sheet size: cm. 23×32
  • Size of the joke: cm. 14×18
  • Support: Strong paper
  • Condition: Buone, con qualche leggera macchia di ruggine ai bordi, che non interessa l’incisione

Murillo, Jacob and Rachel, 1830

70,00 

Murillo, Jacob and Rachel It is an engraving made in 1830 by Ralph Cockburn, a well-known painter and engraver, as well as the first keeper of the Dulwich Picture Gallery.
This work is a colored aquatint reproducing one of the famous paintings in the gallery.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The verso bears the Haverhill Public Library stamp, making this work not only rare but decorative as well.

Murillo, Saint John the Baptist, 1830

20,00 

Saint John the Baptist It is an engraving made by Murillo, dated between 1830 and 1850.
It represents the Saint John the Child with a lamb, an iconic subject taken from the Scripture Gallery of Engraving.
The engraving was performed by J.Rogers and published by John Tallis & Co. of London and New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back and editorial frame with vignettes

Leg muscles, glutes 1694

35,00 

Leg muscles, glutes it is an engraving made in 1694 by Giulio Casserio and Odoardo Fialetti.
This work is an anatomy plate illustrating the muscles of the human body, taken from the important work on anatomy Myographia nova, sive musculorum omnium, published in Amsterdam.

  • Sheet size: cm. 34×21 approx.
  • Engraving size: cm. 34×21 approx.
  • Support: Laid paper
  • Condition: Good condition, with Latin writings on the back visible on the front

Muscles, 1814

70,00 

Muscles It is an anatomical plate made in 1814, which illustrates the external posterior muscles of the human trunk.
This work is an etching engraved by Antonio Gajani based on a design by Joseph Guizzardi, and it is part of the volume Anatomical tables for painters and sculptors Of Giambattista Sabattini, published in Bologna.

  • Sheet size: cm. 33×23
  • Engraving size: cm. 24×16
  • Support: Heavy paper
  • Condition: Good condition

This rarity is sold together with the explanations of the plates.

Muscles, 1814

70,00 

Muscles è una tavola anatomica realizzata nel 1814, che illustra i muscoli esterni del tronco visti lateralmente.
Incisa da Antonio Gajani su disegno di Giuseppe Guizzardi, questa opera è parte del volume Anatomical tables for painters and sculptors di Giambattista Sabattini, pubblicato a Bologna.

  • Sheet size: cm. 33×23 approx.
  • Engraving size: cm. 24×16 approx.
  • Support: Heavy paper
  • Condition: Good condition

Rarità, viene venduta insieme alle spiegazioni delle tavole.

N. Berchem (1620-1683), C.Visscher (1586-1652)

80,00 

Donna su asino It is an engraving made by Nicolaes Berchem (1620-1683) e C. Visscher (1586-1652).
Quest’opera rappresenta un uomo e una donna su un asino, circondati da altri animali, in un contesto che evoca la vita pastorale.

  • Sheet size: cm. 27×21 approx.
  • Support: Carta vergellata con filigrana 1742
  • Condition: Buono stato di conservazione, con macchia ai margini
  • Technique: Etching

Nicolaes Berchem è noto per le sue scene pastorali, mentre C. Visscher è stato un importante incisore e cartografo del secolo d’oro olandese. Questa incisione è una bella prova del loro talento e della loro collaborazione artistica.

N. Berchem (1620-1683), J. de Visscher (1666-1712)

40,00 

Donna su asino It is an engraving made by Nicolaes Berchem (1620-1683) e Jan de Visscher (1666-1712).
This etching rappresenta una donna che frusta un asino, un soggetto che riflette la maestria di Berchem nel ritrarre scene pastorali.

  • Sheet size: cm. 15×19 approx.
  • Support: Medium thickness laid paper without watermark
  • Condition: Good state of preservation
  • Notes: Margini ricostruiti, foglio con qualche mancanza agli angoli

N. Poussin, A Landscape, 1830

70,00 

N. Poussin, Un Paesaggio è un’acquatinta colorata realizzata nel 1830, che misura cm. 17×23.
Questa opera è montata su un supporto in cartoncino spesso di dimensioni cm. 26×31 circa.

  • Origin: DULWICH GALLERY by R. Cockburn, 1830
  • Stamping: Haverhill Public Library stamp on the back
  • Artist: Ralph Cockburn, pittore ed incisore, primo custode della Galleria
  • Characteristics: Splendida esecuzione tratta da uno dei quadri presenti nella Dulwich Picture Gallery
  • Rarity: Rare and decorative work

N.Berchem, Fording the stream, 1830

70,00 

Wading the stream It is a colored aquatint made by N. Berchem in 1830.
This work, which measures 17x24 cm, is mounted on a thick cardboard support measuring approximately 26x32 cm.

  • Era: XIX
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Cardboard

This engraving is from R. Cockburn's DULWICH GALLERY and bears a Haverhill Public Library stamp on the verso.
This is a splendid execution inspired by one of the paintings in the Dulwich Picture Gallery, made by Ralph Cockburn, painter and engraver as well as the first Keeper of the Gallery.
A rare and decorative work.

N.Poussin, The Assumption of the Virgin, 1830

70,00 

The Assumption of the Virgin It is a colored aquatint made by N. Poussin in 1830.
This work, taken from the Dulwich Gallery by R. Cockburn, presents a splendid execution and is one of the paintings exhibited in the Dulwich Picture Gallery.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The reverse bears the Haverhill Public Library stamp, making this a rare and decorative work.

Nannoni Lorenzo, 1857

30,00 

Nannoni Lorenzo, 1857 è un’incisione all’acquaforte originale tratta da Italian Iconoteca – Collection of sixty portraits of illustrious Italians, pubblicata a Firenze nel 1857.
Questa opera rappresenta Lorenzo Nannoni, un chirurgo italiano nato a Firenze nel 1749 e morto nel 1812.

  • Sheet size: cm. 23×32
  • Size of the joke: cm. 14×18
  • Support: Strong paper
  • Condition: Buone, con qualche leggera macchia di ruggine ai bordi, che non interessa l’incisione.

Nantes, Francia, 1850

25,00 

Nantes, Francia, 1850 It is an engraving made in etching su carta leggera, che offre una splendida veduta della città di Nantes nel XIX secolo.
Questo pezzo è tratto da un libro di metà ‘800 e presenta un’immagine di dimensioni cm. 10×15 approx., rendendolo un’opera di dimensioni Small.

  • Condition: Excellent state of preservation
  • Support: Light paper

Napoleone ad Arcole, 1840

20,00 

Napoleone ad Arcole è un’incisione che ritrae il celebre condottiero Napoleone Bonaparte durante la battaglia di Arcole, realizzata nel 1840.
Questa opera è un esempio significativo dell’arte del XIX secolo, caratterizzata da un’elegante esecuzione in etching.

  • Sheet size: cm. 9×14 approx.
  • Support: Cardboard
  • Condition: Excellent state of preservation

Napoleone al mercato degli innocenti, 1827

20,00 

Napoleone al mercato degli innocenti è un’incisione realizzata nel 1827, che rappresenta un momento significativo della storia.
This work, entitled Napoleon au marché des Innocens, è un’acquaforte di dimensioni cm. 12×10, incollata su cartoncino.

  • Era: 19th century
  • Sheet size: Small
  • Technique: Etching
  • Condition: Excellent
  • Support: Cardboard

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