Etching

Showing 1873–1896 of 2301 results

Salvator Rosa, Armored Soldier with Spear

75,00 

Soldato corazzato con lancia it is an engraving of Salvator Rosa dating back to 18th century.
This work is made in etching and drypoint su carta non vergellata, con dimensioni di mm. 142×93, rifilata al margine. Presenta residui di colla ai margini al recto, visibili in parte a fronte.

  • Monogram: RS con lettere intrecciate in basso a sinistra
  • Numero: 6 in basso a destra
  • Serie: Diverse figure o Figurine
  • Condition: Excellent
  • Circulation: Probabile fine ‘700 (Cfr. Bartsch 37)

Salvator Rosa, Three Soldiers, Figurine, 18th century

75,00 

Tre Soldati It is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines ed è caratterizzata da un monogramma in basso a destra, rappresentato dalle lettere intrecciate RS, e dal numero 20.

  • Sheet size: mm. 142×93
  • Technique: Etching and drypoint
  • Support: Unlaid paper
  • Condition: Excellent

La prova è nitida e si tratta di una probabile tiratura della fine del ‘700 (Cfr. Bartsch 37).

Salvator Rosa, A Landscape 1830

70,00 

Salvator Rosa, Un Paesaggio è un’acquatinta colorata realizzata nel 1830.
This work measures cm. 17×24 ed è montata su un supporto in cartoncino spesso in size cm. 26×32 about.
Taken from Dulwich Gallery di R. Cockburn, presenta al verso il timbro della Haverhill Public Library.
Si tratta di una splendida esecuzione ispirata a uno dei quadri presenti nella Dulwich Picture Gallery, realizzata da Ralph Cockburn, pittore ed incisore nonché primo custode della galleria.
Questa è una rara e decorativa opera.

Samuel Prout (1783–1852), Venice, watercolor

350,00 

Venice it is a watercolor made by Samuel Prout (1783–1852), one of the masters of architectural watercolor painting.
This splendid work, signed lower left, is dated 19th century and measure cm. 26×19.

  • Sheet size: Small
  • Support: Medium thickness paper
  • Condition: Excellent

The work has traces of glue on the back at the corners, but its execution is of high quality and very decorative.

San Alessandro, 1819

25,00 

San Alessandro è un’incisione realizzata nel 1819 da A.L. Castellan, un noto pittore e incisore francese.
Questa opera è un’acquaforte che misura mm. 105×140 e presenta piccoli margini irregolari, con il retro bianco.
It is taken from the volume Letters on Italy, published in Paris by A. Nepveu in 1819.

  • Sheet size: Small
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

San Bernardo Abate, la Vergine ed il Bambino, XVIII secolo

30,00 

San Bernardo Abate, la Vergine ed il Bambino è un’incisione anonima del 18th century che rappresenta una scena sacra con la Madonna e il Bambino Gesù, assunti in cielo, accompagnati da San Bernardo Abate su una nuvola e angioletti.
This work is made in etching su carta vergellata con parziale filigrana, e presenta una bella rappresentazione artistica.

  • Sheet size: cm. 16×11,5 circa
  • Condition: Excellent state of preservation
  • Support: Laid paper

San Bernardo, 1809

20,00 

San Bernardo è un’incisione realizzata nel 1809, che offre una splendida veduta del Der grosse St.Bernhardesberg.
Questa opera è un’acquaforte di dimensioni contenute, perfetta per gli amanti della grafica antica.

  • Sheet size: mm. 130×80 circa
  • Support: Paper
  • Condition: Perfect condition

St. Daniel, 1650

30,00 

Saint Daniel It is an engraving made in 1650, using the technique ofetching and of the colored burin.
This work, dating back to the mid-seventeenth century, is printed on laid paper without watermark and features a prayer in Latin on the back.

  • Sheet size: cm. 6×11 approx.
  • Engraving size: cm. 5×6,5 approx.
  • Support: Light paper
  • Condition: Excellent condition

St. James of Nisibis, 1711

20,00 

Saint James of Nisibis It is an engraving made in 1711, executed with the technique ofetching and burin.
This work, signed by Mariette, is printed on laid paper with partial watermark.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 6×11 approx.
  • Support: Laid paper
  • Condition: Good condition

Saint John the Baptist, canivet, 1830-50

15,00 

Saint John the Baptist It is a canivet made between 1830 and 1850, representing the famous saint.
This work is published by the publishing house Ch.Letaille ed. Pontifical and comes from Paris, France.

  • Dimensions: cm. 6×10
  • Technique: Etching with lace-cut edges
  • Condition: Perfect
  • Prayer: Yes

Saint Joseph, Canivet, 1830-50

20,00 

Saint Joseph è un canivet realizzato tra il 1830 e il 1850, che rappresenta il celebre santo.
This work is published by the publishing house Ch.Letaille Ed.Pontifical from Paris, France.

  • Sheet size: cm. 8×12 approx.
  • Condition: Excellent state of preservation
  • Support: Paper
  • Prayer: Yes
  • Serial number: PL.100

Saint Joseph, Canivet, 1830-50

25,00 

Saint Joseph it's a dog made between 1830 and 1850, representing the famous saint.
This work is published by Ch.Letaille ed. Pontifical and comes from Paris, France.

  • Dimensions: cm. 8×12
  • Technique: Hand-painted watercolor etching with lace-cut edges
  • Condition: Perfect
  • Format: Double page
  • Prayer: Yes

Saint Margaret Virgin, 1800

30,00 

Saint Margaret Virgin It is an engraving made in 1800, which represents the figure of Saint Margaret, one of the most venerated saints.
This work is made with the technique ofEtching and of the Burin, showing remarkable attention to detail and artistic finesse.

  • Sheet size: cm. 16×23 approx.
  • Engraving size: cm. 8×11 approx.
  • Support: Light paper
  • Condition: Good condition, has some creases

Saint Peter the Anchorite, 1711

20,00 

Saint Peter the Anchorite It is an engraving made in 1711 by Mariette, performed with the technique ofetching and burin.
This work features an engraving size of cm. 6×11 on a sheet of paper cm. 10×16, printed on laid paper with partial watermark.

  • Condition: Good condition
  • Price: €20,00

Saint Raymond, 1842

20,00 

Saint Raymond It is an engraving made in 1842 by Ant. Banzo, using the technique ofEtching and Burin.
This work has an engraving size of cm. 7x9 on a sheet of cm. 11x16, printed on paper with white back.

  • Sheet size: cm. 11×16
  • Engraving size: cm. 7×9
  • Support: Paper
  • Condition: Good condition

Saint Theodotus Innkeeper 17th century

40,00 

Saint Theodotus the Host It is an anonymous engraving made in 17th century.
This work is an etching on laid paper without watermark, with a size of cm. 14×21 at the edge of the image and has a caption in Latin.

  • Sheet size: cm. 14×21 approx.
  • Technique: Etching
  • Condition: Fair condition (not visible crease on the back)
  • Support: Laid paper

St. Thomas of Villanova 17th century

40,00 

St. Thomas of Villanova It is an anonymous engraving made in 17th century.
This work is an etching on laid paper without watermark, featuring a caption in Latin.

  • Sheet size: cm. 14×21 approx.
  • Technique: Etching
  • Condition: Fair condition
  • Support: Laid paper

St. Augustine, Canivet

20,00 

St. Augustine, Canivet è un’opera del XIX secolo che rappresenta il celebre santo, realizzata con una tecnica di acquaforte caratterizzata da bordi riccamente trinati e colorata.
Questo pezzo è un esempio affascinante di arte religiosa, perfetto per collezionisti e appassionati.

  • Sheet size: cm. 8×12 approx.
  • Condition: Buone, con diverse piccole mancanze ai bordi
  • Support: Paper

Saint Asclapius, 1711

20,00 

Saint Asclapius It is an engraving made in 1711, which represents the famous god of medicine.
This work was created using the technique ofetching and burin, and is an example of engraving art of the period.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 6×11 approx.
  • Support: Laid paper with partial watermark
  • Condition: Good condition

Saint Eulogius, 1711

20,00 

Sant’Eulogio It is an engraving made in 1711 attraverso le tecniche dell’etching and of the burin.
Questa opera, pubblicata da Mariette a Parigi, presenta una misura dell’incisione di cm. 6×11 on a sheet of paper cm. 10×16, realizzata su laid paper with partial watermark.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 6×11 approx.
  • Support: Laid paper
  • Condition: Good condition

Saint Francesca Romana, 1800

20,00 

Saint Francesca Romana it is an engraving made in 1800, which represents the figure of Saint Francesca Romana.
This work is made with the technique ofetching and features a 10x14 cm frame on a light sheet with a white back.

  • Sheet size: cm. 10×14 approx.
  • Support: Light paper
  • Condition: Excellent

Saint Rose of Lima, 1800

20,00 

Saint Rose of Lima It is an engraving made in 1800, which represents a figure of great religious importance.
This work is made with the technique ofetching and has a 5x7 cm frame on a light sheet of 11x14 cm.

  • Sheet size: cm. 11×14
  • Engraving size: cm. 5×7
  • Support: Light paper
  • Condition: Excellent

Saint Catherine, 1850

40,00 

Saint Catherine It is an engraving made in 1850, inspired by the work of Domenichino, preserved in the Royal Collection.
This etching on thick paper depicts Saint Catherine of Alexandria, a figure venerated by the Catholic and Orthodox Church.

  • Sheet size: cm. 32×23 approx.
  • Engraving size: cm. 25×21 approx.
  • Support: Thick paper
  • Condition: Excellent condition

Saint Rita, Canivet

25,00 

Saint Rita, Canivet It is a 19th century work dedicated to Saint Rita of Cascia.
This engraving is made in etching with lace edges and has a bright colour.

  • Sheet size: cm. 8×12 approx.
  • Condition: Excellent state of preservation
  • Support: Paper

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