Etching

Showing 169–192 of 2301 results

Brueghel, Bashan, 1771

30,00 

Brueghel, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe basate sui dipinti del Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jan Brueghel il Vecchio, noto anche come Bruegel dei Velluti, è stato un rinomato pittore fiammingo, membro di una famiglia di artisti.
È il figlio di Pieter Bruegel il Vecchio e il padre di Jan Brueghel il Giovane.

Bruno Missieri (Piacenza, 1940)

14,00 

Bruno Missieri è un artista di Piacenza, nato nel 1940, noto per le sue opere incisorie.
Questa particolare opera, realizzata nel 1998, is a stampa a tre colori eseguita con la tecnica dell’acquaforte a morsure aperte.
Il soggetto rappresentato è papi, un tema che riflette la sua creatività e il suo stile unico.

  • Sheet size: mm. 124×127
  • Support: Heavy paper
  • Condition: Excellent

Bruno Missieri (Piacenza, 1940)

20,00 

Giovanni Paolo II It is a work created by Bruno Missieri, artista di Piacenza, nel 1998.
Questa incisione è firmata e numerata, utilizzando la tecnica dell’acquaforte a morsure aperte per stampe a tre colori.

  • Sheet size: mm. 134×144
  • Support: Heavy paper
  • Condition: Excellent

Burgos, Spain, 1850

20,00 

Burgos, Spain, 1850 It is an engraving made in etching on light paper, che offre una splendida veduta della città di Burgos.
Questo pezzo è tratto da un libro di metà ‘800 e presenta un’immagine di dimensioni circa cm. 13×15.

  • Sheet size: Small
  • Condition: Excellent

C.Le Brun, L.Desplaces, Manoah, 1730

50,00 

Manoah e sua moglie It is an engraving made by Louis Desplaces nel 1730, su soggetto di Charles Le Brun.
This work is an example of etching and burin on laid paper senza filigrana, rifilata alla battuta del rame.

  • Engraving size: cm. 28×34 circa senza margini apprezzabili
  • Condition: Buone condizioni, con tre piccoli fori e stampa un po’ sbiadita

Game, pheasants, watercolor, 19th century

35,00 

Game, pheasants It is a watercolor made by an anonymous artist in 19th century.
This work represents a splendid execution of an expert artist, highlighting the beauty and delicacy of pheasants.

  • Sheet size: cm. 9.5x7 approx.
  • Support: Light paper, partially glued on cardboard
  • Condition: Excellent condition

Cadiz, Cadix, 1850

25,00 

Cadiz, Cadix It is an engraving made in 1850, which offers a beautiful view of the historic Spanish city.
This work is an etching on light paper, from a mid-nineteenth-century book, and stands out for its artistic and historical quality.

  • Sheet size: cm. 10×15 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Light paper

Caffè Haux in Boboli, Florence, 1826

20,00 

Haux Café in Boboli, Florence It is an engraving made by Anthony Verico in 1826, using the technique ofcopper etching.
This work is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

Cagliari, Sardinia, 1834

30,00 

Cagliari, Sardinia It is an engraving made by W. Brockedon nel 1834, parte del volume Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
This work, designed by H.Gasteneau and engraved by E. Finden, offre una veduta animata della città di Cagliari.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Cain and Abel, 1850

20,00 

Cain and Abel It is an engraving made in 1850, which represents the dramatic moment in which Cain kills his brother Abel.
This work is made in etching and measure cm. 9×14.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Light paper

Neapolitan Calesse, W.French, 1840-50

50,00 

Calesse Napoletano It is an engraving made by W. French between 1840 and 1850.
This work, a watercolor etching, rappresenta un elegante calesse tipico di Napoli.
Published in Payne's Universe e stampata a Lipsia e Dresda, questa incisione è un esempio pregevole dell’arte incisoria dell’epoca.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 21×27 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Neapolitan Calessino, watercolor

50,00 

Calessino Napoletano è un’acquarello del XX secolo che cattura l’essenza della vita napoletana.
Questa opera raffigura un calessino con una famiglia a bordo, esprimendo un’atmosfera vivace e tradizionale. In basso a destra, è presente la scritta Neapolitan Calesso, che aggiunge un tocco di autenticità all’opera.

  • Sheet size: cm. 19×24 circa
  • Support: Cartoncino rigido
  • Condition: Excellent state of preservation

Calisto Gritti bookplate

20,00 

Calisto Gritti Exlibris it is an engraving made in 1985 by the artist Calisto Gritti.
This exlibris, commissioned by BNEL, is an example of refined engraving technique in etching, which represents a distinctive subject for graphics lovers.

  • Sheet size: mm. 125×170
  • Support: Medium thickness paper
  • Condition: Excellent

Callot, Military Exercises

120,00 

Military Exercises It is a series of 4 engravings made by Jacques Callot, an important engraver of the 17th century.
These works, part of the series Military Exercises, were made in etching and printed by Israel.

  • Sheet size: cm. 8x6.5 approximately for each engraving
  • Support: Laid paper without watermark
  • Condition: Excellent
  • Era: XVII

Callot, Military Exercises

60,00 

Military Exercises It is a series of two engravings made by Jacques Callot (1592-1635), a well-known French engraver.
These works are part of the series Military Exercises and are performed in etching, unsigned, and date back to an unknown era.

  • Sheet size: cm. 8×5 at the copper edge for each engraving
  • Support: Laid paper without watermark
  • Condition: Excellent

Callot, Military Exercises, 1635

250,00 

Military Exercises è una serie di 6 acqueforti realizzate da Jacques Callot nel 1635, parte della collezione Military Exercises.
Ogni incisione misura circa cm. 6×8 e rappresenta diverse tecniche di esercizio militare, tutte stampate su carta vergellata senza filigrana.

  • Incisioni incluse:
  • L’Exercice de l’Arquebuse: Le Chargement (The Exercise of the Arquebus: Loading), 1635
  • L’Exercice de l’Arquebuse: Le Maniement, 1635
  • L’Exercice de la Lance Horizontale (Exercise of the Horizontal Lance), 1635
  • L’Exercice Sans Armes, 1635
  • L’Exercice de la Lance Verticale (Exercise of the Vertical Lance), 1635
  • L’Exercice de la Hallebarde, 1635

Questa serie è un’importante testimonianza della maestria di Callot e della sua capacità di catturare la dinamica degli esercizi militari dell’epoca.

Callot, Great Miseries of War, 1633

80,00 

Great miseries of war It is an engraving made by Jacques Callot in 1633, part of the series The miseries and the evils of war.
This work, entitled The Firing Squad, is an extraordinary example of Callot's mastery of etching.

  • Sheet size: mm. 80×184 plus 1 cm margins
  • Engraving size: mm. 80×184
  • Support: Laid paper
  • Condition: Excellent condition

Jacques Callot, an engraver and illustrator from Nancy, is known for his ability to capture the complexity of war through powerful, detailed images.
His art represents one of the most original expressions of seventeenth-century France, combining a fantastic freedom with a precise modulation of light.

Callot, Small Miseries of War, 1636

130,00 

The Little Miseries of War It is an engraving made by Jacques Callot in 1636, which represents a dramatic episode in which brigands attack travellers.
This work is a significant example of his skill in etching, a medium that Callot chose to express his creativity.

  • Sheet size: mm. 54×112 plus 1 cm margins
  • Engraving size: mm. 54×112
  • Support: Laid paper with watermark (jester with six-cornered hat)
  • Condition: Excellent condition

Callot, an engraver and draftsman from Nancy, is known for his works that capture the life and miseries of his time. His art is characterized by a fantastic freedom and a precise modulation of light, making his compositions both elegant and picturesque.

Campagna di Agrigento, Saint-Non, 1781-86

40,00 

Campagna di Agrigento It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent

L’incisione offre una bella veduta animata della Sicilia, ben conservata e di grande valore storico.

Campagna di Agrigento, Saint-Non, 1781-86

40,00 

Campagna di Agrigento It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

La veduta animata offre uno sguardo affascinante sulla Sicilia del XVIII secolo.

Phlegraean Fields, Bacoli, Saint-Non, 1781

45,00 

Campi Flegrei, Bacoli è un’incisione realizzata da Jean-Claude Richard de Saint-Non nel 1781.
This work represents la vista dei resti di un antico teatro, erroneamente chiamato il Tombeau d’Agrippine, situato a Bauli, vicino a Baia.

  • Sheet size: cm. 19×28 approx.
  • Engraving size: cm. 17×22 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Buone condizioni, con foglio ingiallito ai margini

This engraving is part of the volume Voyage Pittoresque ou description des Royaumes de Naples et de Sicile, un’opera enciclopedica illustrata dallo stesso Saint-Non, che documenta le sue impressioni durante i suoi viaggi in Italia.

Camp of Troy, C.Frommel, 1829

25,00 

Troy Field It is an engraving made by Carl Frommel in 1829.
This work is a etching on medium paper, from the volume 50 Bilder zu Virgils Heneide…, which features engravings by Frommel himself.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

Camp of Troy, C.Frommel, 1829

25,00 

Troy Field It is an engraving made by Carl Frommel In the 1829.
This work is an etching on medium paper, part of the series 50 Bilder zu Virgils Heneide…, featuring high-quality engravings.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Camp of Troy, C.Frommel, 1829

25,00 

Troy Field It is an engraving made by Carl Frommel In the 1829.
This work is an etching on medium paper, part of the series 50 Bilder zu Virgils Heneide…, featuring high-quality engravings.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

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