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Showing 505–528 of 788 results

Palm, 1799

15,00 

Palm It is a watercolour copper engraving made in 1799.
This work is taken from the volume Unterhaltungen aus der Naturgeschichte by Gottlieb Tobias Wilhelm (1758-1811).

  • Sheet size: cm. 9×15 approx.
  • Support: Laid paper with partial watermark
  • Condition: Good condition, with some light creases

Palm, 1799

15,00 

Palm It is a watercolour copper engraving made in 1799.
This work is taken from Unterhaltungen aus der Naturgeschichte by Gottlieb Tobias Wilhelm (1758-1811).

  • Sheet size: cm. 9×15 approx.
  • Support: Laid paper with partial watermark
  • Condition: Buone condizioni con qualche leggera piega

Palm, 1799

15,00 

Palm It is a watercolour copper engraving made in 1799.
This work is taken from Unterhaltungen aus der Naturgeschichte di Gottlieb Tobias Wilhelm, un autore attivo tra il 1758 e il 1811.

  • Sheet size: cm. 9×15 approx.
  • Support: Laid paper with partial watermark
  • Condition: Good condition, with some light creases

Palm, 1799

15,00 

Palm It is a watercolour copper engraving made in 1799.
This work is taken from Unterhaltungen aus der Naturgeschichte by Gottlieb Tobias Wilhelm (1758-1811).

  • Sheet size: cm. 9×15 approx.
  • Support: Laid paper with partial watermark
  • Condition: Good condition, with some light creases

Paolo Nicola Giampaolo, 1841

15,00 

Paolo Nicola Giampaolo It is a lithograph made in 1841, taken from the volume Picturesque Polyorama, published in Naples.
This print, of dimensions cm. 11×10, è stata estratta da un libro e presenta scritte al retro.

  • Sheet size: Small
  • Technique: Lithography
  • Condition: Good
  • Support: Light paper

Paolo Nicola Giampaolo, nato in una famiglia agiata di Ripalimosani l’11 settembre 1757, morì a Napoli il 16 gennaio 1832.
The full page containing the print is sent.

Papere, 1800

30,00 

Papere è una cromolitografia realizzata nel 1800, che cattura l’essenza di questi affascinanti uccelli acquatici.
Questa opera è stampata su carta media con retro bianco, ed è stata prodotta dalla Lit. Central-Tryckeriet di Stoccolma.

  • Sheet size: cm. 20×13 approx.
  • Condition: Good condition

Papere, 1800

30,00 

Papere è una cromolitografia realizzata nel 1800, che rappresenta un affascinante soggetto di papere.
Questa opera è stampata su carta di media qualità, con margini più piccoli e retro bianco.

  • Sheet size: cm. 20×13 approx.
  • Technique: Chromolithography
  • Condition: Good condition
  • Support: Paper
  • Stampa: Lit.Central-Tryckeriet, Stockholm

Papyrus in Sicily, 1835

30,00 

Papyrus in Sicily It is an engraving made in 1835, which represents a variety of plants typical of the Sicilian region, including Cotton wool, Papyrus, Aloe, prickly pear And Sugar cane.
This work is taken from the volume “Italy, Sicily, the Aeolian Islands, Elba, Sardinia, Malta, Calypso Island, etc.” by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16
  • Engraving size: cm. 25×16 approx.
  • Technique: Burin
  • Support: Medium thickness paper
  • Condition: Good

Pappagallo, 1830

20,00 

Pappagallo è una litografia con coloritura manuale realizzata nel 1830 circa da Pretre e Aubert.
This work represents the Psicattus agilis ed è caratterizzata da una vivace rappresentazione del pappagallo.

  • Sheet size: mm. 130×200
  • Engraving size: mm. 58×95
  • Support: Medium paper with white back
  • Condition: Discrete condizioni, presenta qualche macchia

Pappagallo, 1830

20,00 

Pappagallo, 1830 è una litografia con coloritura manuale che rappresenta l’amazone a tête blanche, Psittacus leucocephalus, realizzata intorno al 1830 da Pretre del e Malbeste.
Questa opera si distingue per la sua vivace rappresentazione del pappagallo, un soggetto molto apprezzato nell’arte ornitologica.

  • Sheet size: mm. 130×200
  • Engraving size: mm. 58×95
  • Support: Medium paper with white back
  • Condition: Fair condition

Parma, view from the convent, 1834

35,00 

Parma, veduta dal convento è un’incisione al bulino realizzata nel 1834, che offre una vista affascinante della città di Parma.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 185×120 approx.
  • Engraving size: mm. 185×120 approx.
  • Support: Light paper
  • Condition: Buone (presenta una macchia di unto al margine sinistro che interessa l’incisione per 2 cm)

Pastore della macchia, 1850

20,00 

Pastore della macchia è una litografia realizzata nel 1850, che cattura l’essenza della vita pastorale.
This work, of small dimensions, is printed on thick paper and glued onto another paper support, making it a unique collector's piece.

  • Sheet size: cm. 24×13 circa
  • Era: 19th century
  • Technique: Lithography
  • Condition: Good
  • Support: Paper

Pattuglia che rientra, 1850

20,00 

Pattuglia che rientra è una litografia realizzata nel 1850, che rappresenta un momento significativo della vita militare.
Questa opera, di dimensioni contenute, è stampata su carta spessa ed è incollata su un altro supporto cartaceo, il che ne garantisce la stabilità e la conservazione.

  • Sheet size: cm. 22×16 approx.
  • Era: 19th century
  • Technique: Lithography
  • Condition: Good
  • Support: Paper

Paulus Potter (1625-1654), Tre mucche, XVII sec.

30,00 

Tre mucche It is an engraving made by Paulus Potter nel XVII secolo, raffigurante due mucche in piedi e una a terra.
Questa opera è un esempio della maestria di Potter, noto per la sua specializzazione in animali e paesaggi.

  • Sheet size: cm. 11,5×15 approx.
  • Technique: Etching and burin
  • Condition: Good state of preservation
  • Support: Unlaid paper
  • Author: P. Potter f. in basso a destra

Pavia, 1834 Charterhouse

30,00 

Pavia, 1834 Charterhouse It is an engraving made with the technique of burin su acciaio, datata 1834.
This work comes from the volume Italy picturesque tableau historique and description of Italy… di M. De Norvins e C. Nodiers, pubblicato a Parigi.

  • Sheet size: mm. 170×117 più margini
  • Condition: Good condition
  • Support: Lightweight paper, white back

The press offers a beautiful animated view della cattedrale di Pavia, caratterizzata da una nitidezza e decoratività notevoli.

Pavia, 1865, Charterhouse

15,00 

Pavia, 1865, Charterhouse it is a woodcut representing the historic Certosa di Pavia.
This piece is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, a work illustrated with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 240×130
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Pavia, St. Peter in the Golden Sky, 1865

15,00 

Pavia, St. Peter in the Golden Sky it is a woodcut made in 1865, which represents the facade of the Basilica of St. Peter in Ciel d'oro.
This work is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Sheet size: mm. 140×100
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Pavia, St. Peter in the Golden Sky, 1865

15,00 

Pavia, St. Peter in the Golden Sky è una xilografia realizzata nel 1865, che rappresenta il posteriore della Basilica di S. Pietro in Ciel d’oro.
This work is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Sheet size: mm. 100×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Pecora, XVIII secolo

20,00 

Sheep It is an engraving made in 18th century, performed with the technique ofEtching on heavy laid paper.
This work, of small dimensions, measures approximately cm. 11×17. Presenta una firma illeggibile e una macchia di unto, che ne evidenziano la storia e l’autenticità.

  • Sheet size: Small
  • Condition: Good
  • Support: Heavy laid paper

Pecoraio, 1877

15,00 

Pecoraio It is an engraving made in 1877, taken from the volume L'Italy illustrée de 450 engravures sur wood by Gourdault Jules, published in Paris by Hachette.
Questa stampa, di dimensioni contenute, è stata ritagliata dal libro e presenta margini quasi assenti, con scritte sul retro.

  • Sheet size: mm. 140×180
  • Condition: Good
  • Support: Light paper

Persicaria, 1902

15,00 

Persicaria è una cromolitografia del 1902 che rappresenta il Polygonum lapathifolium.
This work is taken from Botany Or Coloured Figures Of British Plants di J. Sowerby e altri, edito da John Boswell.

  • Sheet size: cm. 16×25 approx.
  • Condition: Good condition
  • Support: Paper

Questa stampa è bella e decorativa, perfetta per gli amanti della botanica e dell’arte.

Neapolitan Fisherwoman, 1877

30,00 

Neapolitan anglerfish It is an engraving made in 1877 by Ferdinand Keller, a well-known German painter.
This watercolour woodcut is part of the volume L'Italy illustrée de 450 engravures sur wood, edited by Gourdault Jules and published in Paris by Hachette.

  • Sheet size: mm. 140×180
  • Support: Light paper
  • Condition: Good condition, with almost no margins and writing on the back

Pesci e rettili, 1872

15,00 

Pesci e rettili è un’incisione xilografica originale del 1872, realizzata per The Popular Illustration, published in Milan by the Treves Brothers.
Questa opera presenta una varietà di specie acquatiche, tra cui:

  • Biscia d’acqua
  • Lampreda
  • Natrice viperina
  • Storione comune

La stampa, di dimensioni contenute, è stata ritagliata dal libro e presenta scritte sul retro, rendendola un pezzo unico per collezionisti e appassionati di storia naturale.

Weight, 1877

15,00 

Old chartreuse of Pesio it is a woodcut made in 1877, taken from the work L'Italy illustrée de 450 engravures sur wood by Gourdault Jules, published in Paris by Hachette.
This print has almost no margins and was cut from the book, with writing on the back.

  • Sheet size: mm. 150×110
  • Technique: Woodcut
  • Condition: Good
  • Support: Light paper

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