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Showing 745–768 of 788 results

Torino, 1865, Basilica di Superga

20,00 

Torino, 1865 – Basilica di Superga è un’incisione realizzata in xilografia, proveniente dal Chorographic Dictionary of Italy by Prof. Amato Amati.
This work is illustrated with approximately 1000 colored municipal weapons and was published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 220×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Turin, 1865, Central Station

20,00 

Turin, 1865, Central Station it is a woodcut representing the historic central station of Turin.
This work is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, a work illustrated with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 220×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Torino, 1888, Il Palazzo Madama

20,00 

Il Palazzo Madama è un’incisione realizzata nel 1888, che rappresenta uno dei simboli architettonici di Torino.
Questa xilografia su legno di testa è stata tratta da The Italian Illustration, published by the Treves Brothers of Milan.

  • Sheet size: mm. 215×155
  • Margins: Almost absent
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Torre del Greco, Napoli, 1841

25,00 

Torre del Greco, Napoli è un’incisione realizzata da A. Perboni nel 1841.
This work represents a beautiful view dell’eruzione del Vesuvio, caratterizzata da un sharp contrast e ben definito.

  • Sheet size: mm. 270×190
  • Engraving size: mm. 145×100
  • Support: Medium paper
  • Condition: Good state of preservation

Tortura, La prova dell’acqua, 1838

20,00 

Tortura, La prova dell’acqua è una litografia realizzata nel 1838, tratta dall’opera periodica Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
Questa stampa illustra una delle procedure di tortura storicamente utilizzate, presentando un’importante testimonianza visiva dell’epoca.

  • Sheet size: cm. 14×13 approx.
  • Support: Paper
  • Condition: Buone condizioni, con margini quasi assenti

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.
The Picturesque Polyorama, published from 1836 to 1860 in the Kingdom of the Two Sicilies, dealt with science, technology, art and biographies, making family reading pleasant and profitable.

Trento, 1865, The Castle

15,00 

The Castle of Trento It is a woodcut made in 1865, taken from the Chorographic Dictionary of Italy by Prof. Amato Amati.
This work is illustrated with about 1000 colored municipal weapons and was published by Vallardi Editore in Milan.

  • Sheet size: mm. 135×110
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Trento, 1865, Tabarelli Palace

10,00 

Trento, 1865, Tabarelli Palace It is a woodcut representing an important work of the Chorographic Dictionary of Italy by Prof. Amato Amati.
This print, which measures mm. 65×120, was created in 1865 and features approximately 1000 colored municipal weapons.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Trento, 1865, Sant'Apollinare

10,00 

Trento, 1865, Sant'Apollinare it is a woodcut representing the Church of Sant'Apollinare, made in 1865.
This work comes from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Sheet size: mm. 65×120
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Trieste, Church of San Giusto, 1877

20,00 

Trieste, Chiesa di San Giusto It is a woodcut made by Pierre Eugene Grandsire in 1877.
Questa suggestiva veduta della chiesa è tratta dal volume Italian by Kaden.

  • Sheet size: mm. 158×178
  • Support: Light paper
  • Condition: Good, with almost no margins and writing on the back

L’opera presenta una scena molto animata, tipica dello stile di Grandsire, noto per la sua specializzazione nella pittura di paesaggio.

Trieste, Stock Exchange Square, 1877

20,00 

Trieste, Stock Exchange Square It is a woodcut made by Pierre Eugene Grandsire in 1877, taken from the volume Italian by Kaden.
This evocative view offers a lively representation of the square, with details that capture the essence of city life at the time.

  • Sheet size: mm. 158×115
  • Support: Light paper
  • Condition: Good, with almost no margins and writing on the back

Tristezza, allegoria di Gottfried Bernhard Göz, 1750

30,00 

Tristezza, allegoria It is an engraving made by Gottfried Bernhard Göz In the 1750.
This work, performed with the technique of burin, has a size of cm. 13×19 and it is printed on thick paper con un retro scuro.
In calce all’incisione è riportata la frase latina Sedebam Tristis usque ad sacrificium vespertinum, che aggiunge un ulteriore strato di significato all’opera.

  • Sheet size: cm. 13×19 approx.
  • Condition: Good condition
  • Support: Thick paper

Uccello del Paradiso, 1890

20,00 

Uccello del Paradiso It is a lithograph made in 1890, taken from the famous publication Meyers Conversations Lexicon, published in Germany.
Questa opera fa parte di una vasta serie di stampe antiche create per illustrare questa enciclopedia, pubblicata dal Bibliographischen Instituts con sedi a Leipzig e Vienna.

  • Sheet size: cm. 20×13 approx.
  • Support: Paper
  • Condition: Fair general conditions, with slight yellowing of the sheet

Udine, 1865, Archbishopric

15,00 

Udine, 1865, Archbishopric è una xilografia che rappresenta il prospetto del Castello della piazza dell’Arcivescovado.
This work is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, a work illustrated with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 140×130
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Udine, Town Hall, 1865

15,00 

Udine, Town Hall, 1865 è una xilografia che rappresenta il Palazzo del Municipio situato nella piazza Vittorio Emanuele.
This work is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 140×130
  • Support: Paper
  • Condition: Good

A Trappist, 1838

20,00 

A Trappist It is a copper engraving made in 1838, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, with printed part dimensions of cm. 11×10, has been cut from the book and has writing on the back. The entire page containing the print will be sent, offering an authentic piece of Neapolitan publishing history.

  • Sheet size: Small
  • Engraving size: cm. 11×10 approx.
  • Technique: Burin
  • Condition: Good
  • Support: Paper

A Girl Drawing Water, 1850

25,00 

Una fanciulla che attinge l’acqua è una litografia realizzata da Gennaro de Crescenzo nel 1850.
This work is taken from the work Literary and Artistic Register by Vittoria Colonna, published in Naples.

  • Sheet size: cm. 22×29 approx.
  • Lithograph dimensions: cm. 16×20 approx.
  • Support: Paper
  • Condition: Good condition, with some stains and a slightly worn sheet

Usignoli, Passeri, 1800

30,00 

Usignoli e Passeri è una cromolitografia realizzata nel 1800, che cattura la bellezza di questi uccelli in un’opera affascinante.
Questa stampa è stata prodotta da Central-Tryckeriet a Stoccolma e presenta margini più piccoli, rendendo l’immagine ancora più accattivante.

  • Sheet size: cm. 20×13 approx.
  • Technique: Chromolithography
  • Support: Medium paper with white back
  • Condition: Good condition

Vallassina (Como), 1889

20,00 

Vallassina (Como) è un’incisione del 1889 che rappresenta una vista panoramica della Vallassina, situata tra il lago di Como e il lago Segrino.
Questa opera è composta da 5 xilografie stampate su un unico foglio, con dimensioni di mm. 210×250.

  • Origine: Taken from The Italian Illustration, Fratelli Treves, Milano
  • Condition: Good, with writing on the back
  • Margins: Almost absent

Valmontone, 1877

20,00 

Valmontone, 1877 it's a woodcut made by Karl August Lindemann-Frommel, a well-known landscape painter and lithographer of the French school.
This work is taken from the volume Italian di Kaden e presenta una beautiful panoramic view della città di Valmontone.

  • Sheet size: mm. 150×100
  • Condition: Buona, con margini quasi assenti e scritte sul retro
  • Support: Carta leggera, ritagliata dal libro

Sailing ship, 1856

20,00 

Sailing ship, 1856 It is a woodblock woodcut depicting the types of the French navy, including the Redoutable and the Ironclad.
This print is from The Illustrated London News from 1856 and has frame measurements of 231x165 mm, with smaller margins.

  • Sheet size: Small
  • Engraving size: mm. 231×165
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Velletri, 1877

15,00 

Velletri, 1877 It is a woodcut made by Karl August Lindemann-Frommel, a well-known landscape painter and designer of the French school.
This work is taken from the volume Italian di Kaden e presenta una beautiful panoramic view della città di Velletri.

  • Sheet size: mm. 150×100
  • Margins: almost absent
  • Support: Light paper
  • Condition: Good, with writing on the back

Glass Seller, 1830-40

35,00 

Venditore di bicchieri it's a watercolor lithograph period, made by an anonymous author between 1830 and 1840.
Questa opera rappresenta un raro soggetto legato agli arti e mestieri per la via, catturando l’essenza della vita quotidiana dell’epoca.

  • Sheet size: cm. 10×16 approx.
  • Support: Laid paper
  • Condition: Buone condizioni, con foglio leggermente ingiallito e alcuni piccoli fori di precedente rilegatura

Braces Salesman, 1830-40

35,00 

Braces seller it's a watercolor lithograph period, made by an anonymous author between 1830 and 1840.
This fascinating subject represents a traditional profession, capturing the essence of street life of the time.

  • Sheet size: cm. 10×16 approx.
  • Support: Laid paper
  • Condition: Good condition, with some small holes from previous binding and light yellowing

A rare work celebrating the arts and crafts of the past, perfect for collectors and history buffs.

Venditore di mantici, 1830-40

35,00 

Venditore di mantici it's a watercolor lithograph period, made by an anonymous author between 1830 and 1840.
Questo raro soggetto rappresenta un mestiere tradizionale, tipico delle vie dell’epoca.

  • Sheet size: cm. 10×16 approx.
  • Support: Laid paper
  • Condition: Buone condizioni, con foglio leggermente ingiallito e alcuni piccoli fori di precedente rilegatura

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