Etching

Showing 2377–2400 of 2498 results

A Herd, JHRoos, 1840-50

20,00 

A Herd It is an etching made by JH Roos between 1840 and 1850.
This work represents a fascinating group of animals and is part of the publication Payne's Royal Dresden Gallery, edited by AH Payne and W. French in Dresden, Leipzig, and London.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 21×27 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Una storia di altri tempi, 1850

30,00 

Una storia di altri tempi è un’incisione realizzata nel 1850, che cattura l’essenza di un momento nostalgico in cui una nonna racconta storie del passato.
This etching presenta dimensioni di cm. 15,5×13, senza margini, e un retro bianco, tipico dell’epoca XIX secolo.

  • Sheet size: Small
  • Engraving size: cm. 15,5×13
  • Support: Paper
  • Condition: Excellent

Man of Alatri, 1840

60,00 

Uomo di Alatri è un’acquaforte acquarellata realizzata nel 1840, taken from the work Costumi di Roma e suoi contorni, disegnata da vari artisti e incisa da Salvatore Marroni.
Questa pregevole opera è stata pubblicata a Roma presso l’editore e calcografo Tommaso Cuccioni, situato in Via della Croce N.88.

  • Sheet size: cm. 32×22
  • Support: Medium thickness paper with white backing
  • Condition: Eccellente

Uomo di Castelnuovo, acquarello

40,00 

Uomo di Castelnuovo it's a watercolor of exquisite workmanship, created by an anonymous author in the first half of the 19th century.
This stunning piece features bright colors and refined details, making it a fascinating work for art lovers.

  • Sheet size: cm. 7×10 approx.
  • Support: Cardboard with white back
  • Condition: Excellent state of preservation

Uomo di Castelnuovo, acquarello

35,00 

Uomo di Castelnuovo it's a beautiful watercolor of exquisite workmanship, created by an anonymous author and datable to the first half of the 19th century.
Questo pezzo si distingue per i suoi bright colors e per la sua ottima condizione di conservazione.

  • Dimensions: mm. 70×100
  • Back: White
  • Condition: Excellent state of preservation

Urbino, 1850

40,00 

Urbino, 1850 it is an etching depicting a fascinating glimpse of the city of Urbino.
This work, signed by C. Martinelli and produced by the Lloyd Establishment of Trieste, dates back to 1850.

  • Sheet size: cm. 22×31 approx.
  • Engraving size: cm. 13×20 approx.
  • Support: Light unlaid paper
  • Condition: Excellent condition

Urbino, 1850

40,00 

Urbino, 1850 it is an etching depicting a fascinating glimpse of the city of Urbino.
This work, signed by C. Martinelli and produced by the Lloyd Establishment of Trieste, dates back to 1850.

  • Sheet size: cm. 22×31 approx.
  • Engraving size: cm. 13×20 approx.
  • Support: Light unlaid paper
  • Condition: Excellent condition

Urbino, 1860

35,00 

Urbino, 1860 It is an engraving made in etching nel 1860, parte dell’album Album of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd a Trieste.
Questa opera rappresenta un’importante testimonianza artistica del XIX secolo.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Valentin de Boulogne, Music, 1786

60,00 

La Musica It is an engraving made by Valentin de Boulogne In the 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approximately (including the editorial frame)
  • Condition: Ottime, bella prova con buon contrasto
  • Support: Laid paper

Valerio Righini exlibris

20,00 

Valerio Righini Exlibris è un’incisione realizzata nel 1988 dall’artista Valerio Righini.
This exlibris, commissioned by BNEL, is an example of refined engraving technique in etching.

  • Sheet size: mm. 125×190
  • Support: Medium thickness paper
  • Condition: Excellent

Valsesia, Loyal Desire, 1860

35,00 

Valsesia, Loyal Desire is an etching made in 1860, part of the Album d'Italia, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.
This work offers a fascinating representation of Valsesia, a mountainous area of Piedmont.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Veduta del Battistero di S.Giovanni di Firenze, 1826

20,00 

Veduta del Battistero di S.Giovanni di Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

Veduta del Palazzo Pitti, Firenze, 1826

20,00 

Veduta del Palazzo Pitti, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Veduta del Poggio Imperiale, Firenze, 1826

20,00 

Veduta del Poggio Imperiale, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Veduta del Ponte alle Grazie di Firenze, 1826

20,00 

Veduta del Ponte alle Grazie di Firenze è un’acquaforte su rame realizzata da A. Verico nel 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Veduta dell’Arcispedale di S.M.Nuova, Firenze, 1826

20,00 

Veduta dell’Arcispedale di S.M.Nuova, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Veduta della Basilica della SS. Annunziata, Firenze, 1826

20,00 

Veduta della Basilica della SS. Annunziata it is an etching on copper made by Antonio Verico in 1826.
This work is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

View of the Cathedral of Prato, 1826

30,00 

View of the Cathedral of Prato it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Veduta della Metropolitana di Firenze, 1826

20,00 

Veduta della Metropolitana di Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Veduta della Piazza del Granduca, Firenze, 1826

20,00 

Veduta della Piazza del Granduca, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

View of the Piazza di S. Croce, Florence, 1826

20,00 

Veduta della Piazza di S.Croce, Firenze it is an engraving made by Antonio Verico in 1826.
Questo lavoro è un’acquaforte su rame, tratto dal volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Veduta della Piazza di S.Marco di Firenze, 1826

20,00 

Veduta della Piazza di S.Marco di Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Veduta della Porta al Prato di Firenze, 1826

20,00 

Veduta della Porta al Prato di Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Veduta della Porta di S.Gallo, Firenze, 1826

20,00 

Veduta della Porta di S.Gallo, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

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