Etching

Showing 337–360 of 2521 results

Foreign Cities cm.11×16

0,00 

Foreign Cities It is a black and white etching dating back to the mid-nineteenth century, which presents fascinating views of foreign cities.
The image dimensions are approximately cm. 10/11×15/16, while the sheet measures cm. 18×24 and is of medium thickness with a white back.

  • Availability: 70 specimens
  • Certificate: Each print is accompanied by a certificate of originality and legitimate origin
  • Contacts: Contact for a quote

Foreign cities cm.7×11

0,00 

Foreign cities is a series of black and white etchings dating back to the mid-nineteenth century, which offer fascinating views of the Kent region of England.
Each print measures approximately 6/7×10/11 cm, on a sheet measuring 13×20 cm, of medium thickness and with a white back.

  • Number of copies available: 20
  • Certificate of originality: Each print is accompanied by a certificate of legitimate origin.

Contact for a quote.

Foreign Cities cm.9×14

0,00 

Foreign Cities It is a black and white etching dating back to the mid-nineteenth century, which presents fascinating views of foreign cities.
The image dimensions are approximately cm. 8/9×12/14, while the sheet measures cm. 16×22 and is of medium thickness with a white back.

  • Availability: 100 specimens
  • Certificate: Each print is accompanied by a certificate of originality and legitimate origin

Contact for a quote.

Citadel of Gaeta, C.Frommel, 1829

25,00 

Citadel of Gaeta It is an engraving made by Carl Frommel In the 1829.
This work is part of the volume 50 Bilder zu Virgils Heneide…, which features engravings of great artistic value.

  • Sheet size: cm. 10×14 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

Civette, Leclerc de Buffon, 1770

25,00 

Civette è un’incisione realizzata da Leclerc de Buffon nel 1770.
This watercolor etching è tratta dall’opera Histoire Naturelle des Oiseaux, pubblicata a Parigi nel 1770.

  • Sheet size: cm. 20×13 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Paper
  • Condition: Excellent

Cividale, The Devil's Bridge, 1860

35,00 

Cividale, Il Ponte del diavolo è un’incisione realizzata nel 1860, che rappresenta un’importante opera del XIX secolo.
Questa acquaforte è tratta dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Civitavecchia, 1833-1845

70,00 

Civitavecchia, 1833-1845 è un’incisione realizzata da Attilio Zuccagni-Orlandini, un noto cartografo e geografo italiano.
This acquaforte rifinita al bulino rappresenta la città di Civitavecchia e i suoi dintorni, ed è tratta dall’importante opera Corografia fisica, storica e statistica dell’Italia e delle sue isole, pubblicata tra il 1833 e il 1845.

  • Sheet size: mm. 450×620
  • Engraving size: mm. 330×510
  • Support: Thick engraving paper
  • Condition: Perfect state of preservation

Claens Jansz Visscher, Darius and Xerxes, ca. 1600

80,00 

Darius and Xerxes It is an engraving made by Claens Jansz Visscher around 1600.
This work represents the two powerful Persian kings, Darius and Xerxes, full-length standing.

  • Sheet size: cm. 24×31 approx.
  • Engraving size: cm. 21×27 approx.
  • Technique: Etching
  • Support: Laid paper with watermark
  • Condition: Excellent, with vertical crease and small stain in the center

Claude – A Landscape, 1830

70,00 

Claude – A landscape It is an engraving made in 1830 by Ralph Cockburn, a well-known painter and engraver, as well as the first keeper of the Dulwich Picture Gallery.
This colored aquatint It is taken from one of the paintings in the gallery and is beautifully executed.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×23 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The reverse bears the Haverhill Public Library stamp, making this a rare and decorative work.

Claude Gillot, Elephants, 1700

20,00 

Elefanti It is an engraving made by Claude Gillot nel 1700, un’opera che riflette il suo stile distintivo del periodo rococò.
Questa stampa, di dimensioni contenute, è un esempio affascinante della sua abilità artistica e della sua attenzione ai dettagli.

  • Sheet size: cm. 8×10 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Claude Lorrain, The Cowherd, 1670, 19th century

30,00 

Il Bovaro It is an engraving made by Claude Lorrain nel 1670, un’opera che rappresenta il maestro del paesaggio ideale.
Questa incisione è stata eseguita da Amand Durand nel XIX secolo e si distingue per la sua eleganza e il suo stile raffinato.

  • Sheet size: cm. 28×19 approx.
  • Engraving size: cm. 13×20 approx.
  • Support: Laid paper without watermark
  • Condition: Excellent state of preservation

Claude Lorrain, The Embarkation of Santa Paola, 1830

70,00 

The Boarding of Santa Paola It is a colored aquatint made by Claude Gellée, known as Claude Lorrain, in 1830.
This work is a splendid execution taken from one of the paintings present in the Dulwich Picture Gallery and created by Ralph Cockburn, painter and engraver, as well as the gallery's first keeper.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent
  • Origin: Dulwich Gallery by R. Cockburn, 1830
  • Stamp: Haverhill Public Library on the reverse

Rare and decorative work.

Claude, A Seaport, 1830

70,00 

Claude, A Seaport It is a coloured aquatint made in 1830 by Ralph Cockburn, a well-known painter and engraver as well as the first keeper of the Dulwich Picture Gallery.
This work is a splendid execution based on one of the paintings in the gallery, characterised by a rare and decorative quality.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

Claudine Bouzonnet-Stella, Children's Games, 1657

40,00 

Kids Games It is an engraving made by Claudine Bouzonnet-Stella in 1657, which represents a fascinating theme of children's games with cherubs.
This work is taken from the volume Les jeux et plaisirs de l'enfance, illustrating the joy and innocence of childhood.

  • Sheet size: cm. 12×15 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Light paper white back
  • Condition: Excellent state of preservation

Claudine Bouzonnet-Stella, Children's Games, 1657

40,00 

Kids Games It is an engraving made by Claudine Bouzonnet-Stella in 1657, which represents the theme of children's games with cherubs.
This work is taken from the work Les jeux et plaisirs de l'enfance, illustrating the joy and innocence of childhood through art.

  • Sheet size: cm. 12×15 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Light paper white back
  • Condition: Excellent state of preservation

Claudine Bouzonnet-Stella, Children's Games, 1657

40,00 

Kids Games It is an engraving made by Claudine Bouzonnet-Stella in 1657, which represents a fascinating theme of children's games with cherubs.
This work is taken from the volume Les jeux et plaisirs de l'enfance, illustrato con grande maestria da Jacques Stella.

  • Sheet size: cm. 12×15 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Light paper white back
  • Condition: Excellent state of preservation

Clemente XI – Francesco Albani, 1857

30,00 

Clemente XI – Francesco Albani è un’incisione all’acquaforte originale del 1857, tratta dall’Iconoteca Italiana, una collezione di sessanta ritratti di illustri italiani.
Questa opera presenta una battuta di cm. 14×18 su un foglio di cm. 23×32, realizzata su strong paper with white back.

  • Sheet size: cm. 23×32
  • Engraving size: cm. 14×18
  • Support: Strong paper
  • Condition: Ottime, con qualche leggera fioritura ai bordi, che non interessa l’incisione.

Colombo Cristoforo, 1857

30,00 

Colombo Cristoforo è un’incisione all’acquaforte originale realizzata nel 1857.
This work is taken from theItalian Iconoteca, una collezione di sessanta ritratti di illustri italiani, pubblicata a Firenze.

  • Sheet size: cm. 23×32 approx.
  • Engraving size: cm. 14×18 approx.
  • Support: Strong paper
  • Condition: Ottima, con qualche leggera fioritura ai bordi che non interessa l’incisione

Como, Fall of the Latte River at Varenna, 1860

35,00 

Como, Caduta del fiume Latte a Varenna è un’acquaforte realizzata nel 1860, che cattura la bellezza naturale della regione.
Questo pezzo è tratto dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Como, The promontory of Torno, 1860

35,00 

Como, Il promontorio di Torno è un’acquaforte realizzata nel 1860, che cattura la bellezza del paesaggio lacustre.
Questo lavoro è tratto dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Comus and Timon, A.H.Payne, 1840-50

20,00 

Comus and Timone It is an engraving made by AH Payne between 1840 and 1850.
This etching on medium-thickness paper, it has a format of 21x27 cm and a white back.
The engraver's signature is present at the bottom right: AHPayne sc..
The press was published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Condition: Excellent
  • Support: Medium thickness paper

Albert Henry Payne, English engraver and designer, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.
Common, in Greek mythology, represents the nocturnal alcoholic revelry, while Helm of Phlius He is an ancient skeptical philosopher, known for his critical thinking.

Consacrazione, Cresima, 1880

20,00 

Consacrazione, Cresima It is an engraving made in 1880, che rappresenta un importante momento religioso.
Published by the publishing house A. Frojo Ed.Succ. Leonardi Torino, questa opera è un esempio di arte tipografica italiana.

  • Sheet size: cm. 7×11 approx.
  • Technique: Etching with lace-cut edges
  • Condition: Perfect
  • Support: Paper

Consalvo Carelli, Cross of Pozzano

120,00 

Croce di Pozzano It is a work created by Consalvo Carelli between 1870 and 1880.
This drawing, done in pencil on paper, measures mm. 130×204 and is glued to another paper support.
Carelli, one of the main exponents of the Posillipo School, è noto per la sua abilità nel catturare la bellezza dei paesaggi napoletani.

  • Era: XIX
  • Technique: Pencil
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Consalvo Carelli, Abruzzo Shepherds

240,00 

Abruzzo Shepherds It is a work by Consalvo Carelli, created between 1870 and 1880.
This fascinating composition, which portrays Abruzzese shepherds with their sheep, is executed in ink and watercolor on paper, glued to another paper support.

  • Dimensions: mm. 129×181
  • Condition: Excellent
  • Support: Paper

Consalvo Carelli (1818-1900) is considered one of the major exponents of Posillipo School, a 19th-century painting movement.
Born in Naples to a family from Puglia, Carelli had a rich and varied artistic career, becoming a master in the use of watercolor.
His work is characterized by a deep attention to detail and a vivid depiction of rural life.

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