Etching

Showing 577–600 of 2521 results

David Teniers, Basan, 1771

30,00 

David Teniers, Basan, 1771 è un’incisione realizzata da Pierre-François Basan, che rappresenta un’opera del famoso pittore fiammingo David Teniers il Giovane.
Questa incisione fa parte del Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise da opere del Ducato di Choiseul, pubblicata a Parigi nel 1771.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

David Teniers, Basan, 1771

30,00 

David Teniers, Basan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise basate sui dipinti del Ducato.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

David Teniers, La Fumatrice, 1786

50,00 

La Fumatrice è un’incisione realizzata da David Teniers nel 1786.
Questa opera è un’acquaforte su carta vergellata, senza filigrana, che misura cm. 24×37, inclusa la cornice editoriale.

  • Taken from: Gallery of the Palais Royal
  • Description: Gravée d’après les tableaux des différentes écoles qui la composent, con un abrégé de la vie des peintres e una descrizione storica di ogni quadro da parte di Mr l’abbé de Fontenai.
  • Dedication: To HSH Monseigneur le Duc d'Orléans, Premier Prince du Sang
  • Publisher: J. Couche; Paris; 1786
  • Condition: Excellent condition, nice proof with good contrast

David and Goliath, L.Orbetto, 1840-50

20,00 

David and Goliath It is an engraving made by L. Orbetto between 1840 and 1850.
This work, performed in etching on strong paper, it represents an iconic scene of the fight between David and Goliath.
Published in Payne's Royal Dresden Gallery by A.H. Payne and W. French, this print is a significant example of 19th-century engraving art.

  • Sheet size: cm. 21×27
  • Condition: Excellent
  • Support: Strong paper

de Larmessin, Nicolas (1632-1694), 1680

40,00 

Maria Anna Christienne Victoire de Baviere è un’acquaforte acquarellato realizzata da Nicolas de Larmessin nel 1680.
This work, signed De L’Armessin, sculpsit, è un esempio pregevole dell’arte del XVII secolo.

  • Sheet size: cm. 25×18 approx.
  • Support: Laid paper
  • Condition: Buone, con strappo di 10 cm riparato al verso con carta

de Larmessin, Nicolas (1632-1694), 1680

40,00 

Luigi D’Auphin è un’acquaforte acquarellata realizzata da Nicolas de Larmessin nel 1680.
Questa opera ritrae il figlio di Luigi il Grande e di Maria Teresa d’Austria, ed è firmata De L’Armessin, sculpsit.

  • Sheet size: cm. 25×18 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

de Larmessin, Nicolas (1632-1694), 1680

40,00 

Mara Anna, figlia del re Luigi XIV è un’incisione realizzata da Nicolas de Larmessin nel 1680.
This watercolor etching d’epoca è un esempio pregiato dell’arte incisoria del XVII secolo.

  • Sheet size: cm. 25×18 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Deckert, Basan, Al telaio, 1771

30,00 

Deckert, Basan, Al telaio è un’incisione realizzata nel 1771, parte del Cabinet of the Duke of Choiseul.
This work is a collection of prints che raccoglie incisioni basate sui dipinti del cabinet di Monseigneur le Duc de Choiseul, edito da Pierre-François Basan.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Delphi, Greece, Etching, 1834 C.Stanfield

30,00 

Delphi, Greece It is an engraving made in 1834 by C. Stanfield, a famous designer, and engraved by E. Finden.
This work is taken from Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron, published by John Murray in London.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

This animated view of Delphi, home of the oracle of the god Apollo, represents an important artistic testimony of the 19th century.

Della Bella, Various Vessels

60,00 

Various Vessels It is an engraving made by Stephen Of The Beautiful in the 17th century.
This work, part of the series Various Boardings, is a reverse copy and has a signature on the lower left with the initials SDBella.

  • Sheet size: cm. 17×32 approx.
  • Engraving size: cm. 8×16 approx.
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, originally conceived in the 17th century.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Excellent

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, representing a series of vessels.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This work represents a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Della Bella, Various Vessels

60,00 

Various Vessels It is a work created by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This etching on thick ivory-colored unlaid paper it has the following characteristics:

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Support: Unlaid paper
  • Condition: Perfect

The work is a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBellaThe plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, originally conceived in the 17th century.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Excellent

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This work represents a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Della Bella, Various Vessels

60,00 

Various Vessels It is a work created by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This etching on thick ivory-colored unlaid paper it has the following characteristics:

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Support: Unlaid paper
  • Condition: Perfect

The work is a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBellaThe plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels It is an engraving made by Stephen Of The Beautiful in the 17th century.
This work, part of the series Various Boardings, is a reverse copy and has a signature on the lower left with the initials SDBella.

  • Sheet size: cm. 17×32 approx.
  • Engraving size: cm. 8×16 approx.
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, representing a series of vessels.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century.
This work represents a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Landscapes of Rome

70,00 

Della Bella, Landscapes of Rome it is an engraving made by Stefano della Bella, an artist active in the 17th century.
This work, part of the series Landscapes and Ruins of Rome, was produced in the 19th century and represents a significant example of his art.

  • Sheet size: cm. 37×32 approx.
  • Engraving size: mm. 133×133 at the copper edge
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Excellent

The engraving is signed lower left with the wording Stef.Della Bella invented fecit.
The plates of these copies belong to the Calcografia of Rome, as attested by the dry mark visible in the lower left corner of the title page (Lugt 2144).

Della Bella, Landscapes of Rome

70,00 

Della Bella, Landscapes of Rome it is an engraving made by Stefano della Bella, an artist active in the 17th century.
This work, part of the series Landscapes and Ruins of Rome, is an etching on thick ivory-colored unlaid paper.

  • Sheet size: cm. 37×32
  • Engraving size: mm. 133×133 at the copper edge
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The work is signed on the lower left with the wording Stef.Della Bella invented fecit and features the dry mark of the Calcografia of Rome, visible in the lower left corner of the title page (Lugt 2144).
This engraving is described by De Vesme and Massar on page 128, and is a reverse copy of the series mentioned.

Della Bella, Landscapes of Rome

70,00 

Della Bella, Landscapes of Rome It is an engraving made by Stefano della Bella, a well-known artist of the 17th century.
This work, part of the series Landscapes and Ruins of Rome, was created in the 19th century and features an etching on thick ivory-colored unlaid paper.

  • Sheet size: cm. 37×32
  • Engraving size: mm. 133×133 at the copper edge
  • Support: Unlaid paper
  • Condition: Excellent

The engraving is signed at the bottom left with the words 'Stef.Della Bella invent fecit' and features the dry mark of the Calcografia di Roma, visible in the bottom left corner of the title page (Lugt 2144).

Della Bella, Landscapes of Rome

70,00 

Della Bella, Landscapes of Rome it is an engraving made by Stefano della Bella, an artist active in the 17th century.
This work, part of the series Landscapes and Ruins of Rome, is a fine example of etching on thick ivory-colored unlaid paper.

  • Sheet size: cm. 37×32
  • Engraving size: mm. 133×133 at the copper edge
  • Support: Unlaid paper
  • Condition: Perfect

The work is signed on the lower left with the wording Stef.Della Bella invented fecit and features the dry mark of the Calcografia of Rome, visible in the lower left corner of the title page (Lugt 2144).

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