Etching

Showing 649–672 of 2521 results

Diderot and D'Alembert, 1778, trades, violin maker, musical instruments, organ no. 5

25,00 

Diderot and D'Alembert, 1778 it is an engraving representing the craft of the luthier and musical instruments, in particular an organ.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition
  • Place of publication: Yverdon

This engraving, made with the technique ofetching, is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, which is distinguished by its less French and more Protestant approach than the original.

Diderot and D'Alembert, 1778, trades, violin maker, musical instruments, organ no. 6

25,00 

Diderot and D'Alembert, 1778 it is an engraving representing the craft of the luthier and musical instruments, in particular an organ.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition
  • Place of publication: Yverdon
  • Era: 18th century
  • Technique: Etching

This engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, which stands out for its less French and less anti-religious approach, contributing to its spread in Northern Europe.

Diderot and D'Alembert, 1778, trades, violin maker, musical instruments, organ no. 7

25,00 

Diderot and D'Alembert, 1778 – Professions: Luthier and Musical Instruments it is an engraving representing the art of violin making and musical instruments, in particular an organ.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18 approx.
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition
  • Place of publication: Yverdon
  • Engraving period: 1771
  • Period of circulation: 1778

This engraving is a significant example of the Yverdon Encyclopedia, noted for its less French and more Protestant approach than Diderot and D'Alembert's original, contributing to its spread in Northern Europe.

Diderot and D'Alembert, 1778, trades, violin maker, musical instruments, organ no. 8

25,00 

Diderot and D'Alembert, 1778 it is an engraving that represents the craft of the luthier and musical instruments, in particular the organ.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition
  • Place of publication: Yverdon

This engraving, published in 1778, is part of the famous encyclopedia known as Yverdon Encyclopedia, which stands out for its less French and less anti-religious approach than the original by Diderot and D'Alembert, contributing to its diffusion in Northern Europe.

Diderot and D'Alembert, 1778, trades, violin maker, musical instruments, organ no.9

25,00 

Diderot and D'Alembert, 1778 it is an engraving representing the trades, in particular the work of the luthier and musical instruments, including an organ.
This work is taken from the very important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition
  • Place of publication: Yverdon
  • Engraving period: 1771
  • Period of circulation: 1778

This engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland. It is distinguished by a less French and less anti-religious approach than the original, earning it the nickname of Protestant encyclopedia and contributing to its diffusion in Northern Europe.

Diderot and D'Alembert,1778, Professions, Lacemaker, String

25,00 

Costruttore di lacci, Spago It is an engraving made by Fortunate Bartholomew De Felice in 1778, part of the work Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
Questa incisione, che rappresenta un mestiere tradizionale, è nota per il suo approccio meno antireligioso e più accessibile rispetto all’edizione originale, guadagnandosi il soprannome di Protestant encyclopedia.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon
  • Era: 1771 (engraving), 1778 (print run)

Diderot and D'Alembert, 1778, Trades, Lacemaker, String No. 2

25,00 

Costruttore di lacci, Spago n.2 è un’incisione realizzata da Fortunato Bartolomeo De Felice nel 1778, parte della celebre Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
Questa incisione rappresenta un interessante esempio di arti e mestieri, evidenziando il lavoro del costruttore di lacci.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon

Diderot and D'Alembert,1778, Printer, Typographer, Movable type printing

25,00 

Diderot and D'Alembert it is an engraving made by Fortunato Bartolomeo De Felice in 1778, taken from the important work Encyclopédie ou Dictionnaire Universel Raisonné des connaissances.
This engraving, which represents the theme of arts and crafts, was published in Yverdon, Switzerland, and is notable for its less French and less anti-religious approach than the original by Diderot and D'Alembert, thus earning it the nickname Protestant encyclopedia.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 24×18 approx.
  • Technique: Etching
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools

25,00 

Diderot and D'Alembert It is an engraving made by Fortunate Bartholomew De Felice nel 1771, pubblicata nel 1778.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, curata da De Felice, nota come Yverdon Encyclopedia.

  • Argomento: Arti e mestieri, Tipografo, Imprimerie en Lettres
  • Place of publication: Yverdon, Svizzera
  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back

Questa incisione è interessante per la sua differenza rispetto all’edizione originale di Diderot e D’Alembert, essendo meno francese e meno antireligiosa, il che le ha conferito il soprannome di Protestant encyclopedia, assicurandole una forte diffusione nel Nord Europa.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools

25,00 

Diderot and D'Alembert it is an engraving made by Fortunato Bartolomeo De Felice in 1771, published in 1778.
This work is part of the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, a fundamental work for the diffusion of knowledge in the 18th century.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon

This engraving is an interesting example of typography, highlighting the tools used by printers of the time. His edition, known as the Encyclopedie d'Yverdon, is distinguished by a less French and less anti-religious approach than the original by Diderot and D'Alembert, earning it the nickname of Protestant encyclopedia and a notable circulation in Northern Europe.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.3

25,00 

Diderot and D'Alembert, 1778 è un’incisione affascinante che esplora il tema delle arti e mestieri, in particolare il lavoro del tipografo.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon
  • Era: 1771 (engraving), 1778 (print run)

Questa incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Encyclopedie d’Yverdon, che si distingue per il suo approccio meno francese e meno antireligioso, guadagnandosi il soprannome di enciclopedia protestante e una notevole diffusione nel Nord Europa.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.4

25,00 

Diderot and D'Alembert, 1778 è un’incisione affascinante che esplora il tema delle arti e mestieri, in particolare il lavoro del tipografo.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition
  • Place of publication: Yverdon

Questa incisione, realizzata nel 1771 e tirata nel 1778, è nota per la sua diffusione nel Nord Europa, grazie alla sua natura meno francese e meno antireligiosa rispetto all’originale di Diderot e D’Alembert.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.5

25,00 

Diderot and D'Alembert, 1778 It is an engraving made by Fortunate Bartholomew De Felice, part of the work Encyclopedia or Dictionnaire Universel Raisonné des connoissance….
Questa incisione, che rappresenta il tema degli arti e mestieri, è nota per la sua importanza storica e culturale.

  • Sheet size: cm. 24×18
  • Engraving size: unspecified
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon
  • Era: 1771 (engraving), 1778 (print run)
  • Technique: Etching

Questa incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, curata da De Felice, nota come Yverdon Encyclopedia.
Questa edizione, meno influenzata dal pensiero francese e antireligioso, è conosciuta come enciclopedia protestante e ha avuto una forte diffusione nel Nord Europa.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.6

25,00 

Diderot and D'Alembert, 1778 è un’incisione affascinante che rappresenta gli utensili per la stampa, parte della celebre Encyclopédie ou Dictionnaire Universel Raisonné des connaissances.
Made by Fortunate Bartholomew De Felice, questa opera è un esempio significativo della tipografia del XVIII secolo.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon

Questa incisione è nota per la sua importanza storica, essendo parte dell’edizione dell’Enciclopedia curata da De Felice, che si distingue per il suo approccio meno francese e meno antireligioso rispetto all’originale di Diderot e d’Alembert, guadagnandosi il soprannome di Protestant encyclopedia e una notevole diffusione nel Nord Europa.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.7

25,00 

Diderot and D'Alembert, 1778 è un’incisione realizzata da Fortunato Bartolomeo De Felice, parte della celebre Encyclopedia or Dictionnaire Universel Raisonné des connoissance….
Questa opera rappresenta un’importante testimonianza degli arti e mestieri, in particolare del lavoro del tipografo e degli utensili per la stampa.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back

L’incisione è stata realizzata con la tecnica dell’etching e fa parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Yverdon Encyclopedia, pubblicata in Svizzera. Questa edizione, meno influenzata dal pensiero francese e antireligioso, è conosciuta come enciclopedia protestante e ha avuto una forte diffusione nel Nord Europa.

The Theebereitung, China, 1850

25,00 

The Theebereitung It is an engraving made in China in 1850, representing a significant moment in tea culture.
This work is an example of etching high quality, with an image size of 10x15 cm, excluding margins.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Medium thickness paper with white backing

Diego Velasquez, Duke of Olivares, 1640, 19th century

60,00 

Diego Velasquez, Duke of Olivares It is an engraving made by Amand Durand in the 19th century, which portrays the famous Spanish painter Diego Velázquez.
This work is a high quality etching, measuring 15x11 cm at the copperplate, on a sheet of 28x19 cm.

  • Sheet size: cm. 28×19
  • Engraving size: cm. 15×11
  • Support: Laid paper
  • Condition: Excellent state of preservation

Shower, Fiesole, 1819

25,00 

Doccia, Fiesole it is an etching made by TO THE CASTELLAN nel 1819, che rappresenta la Villa S. Michele a Doccia.
This work is taken from the volume Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: cm. 20×12 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Doge, Venetian Costumes, 1724

40,00 

Doge, Venetian Costumes It is an engraving made in 1724, which offers a beautiful animated view of Venetian costumes.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

Passion Sunday, Life of Jesus, 1750-1800

15,00 

Domenica di Passione, Vita di Gesù è un’incisione realizzata tra il 1750 e il 1800, che rappresenta un momento significativo della vita di Gesù.
Questa opera, di origine francese, è realizzata con la tecnica dell’colored etching, un metodo che consente di ottenere dettagli raffinati e una gamma di colori vivaci.

  • Sheet size: cm. 5,5×8 circa
  • Condition: Excellent
  • Support: Paper
  • Notes: Bordi rifilati

Passion Sunday, Life of Jesus, 1750-1800

15,00 

Domenica di Passione, Vita di Gesù è un’incisione realizzata tra il 1750 e il 1800, che rappresenta un momento significativo della vita di Gesù.
Questa opera, di origine francese, è realizzata con la tecnica dell’colored etching, un metodo che consente di ottenere dettagli raffinati e una gamma di colori vivaci.

  • Sheet size: cm. 5,5×8 circa
  • Condition: Excellent
  • Support: Paper
  • Notes: Bordi rifilati

Donna con libro, J.Jenkins, 1850

20,00 

Donna con libro è un’incisione realizzata da J. Jenkins nel 1850.
This work, performed in etching, rappresenta un affascinante soggetto femminile con un libro, ed è parte del volume Le Simplon et l’Italie Septentrionale, pubblicato a Parigi nel 1850.

  • Sheet size: cm. 16×24 approx.
  • Engraving size: cm. 12×10 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Donna di Alatri, 1840

60,00 

Donna di Alatri è un’acquaforte acquarellata realizzata nel 1840, part of the series Costumi di Roma e suoi contorni, disegnata da vari artisti e incisa da Salvatore Marroni.
Questa pregevole opera è stata pubblicata a Roma presso l’editore e calcografo Tommaso Cuccioni, situato in Via della Croce N.88.

  • Sheet size: cm. 32×22 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

Donna di Albano, ‘800

35,00 

Woman from Albano it's a beautiful watercolor of exquisite workmanship, created by an anonymous author in the first half of the 19th century.
Questo pezzo è caratterizzato da bright colors e da un retro bianco che ne esalta la bellezza.

  • Dimensions: mm. 70×100
  • Condition: Excellent state of preservation
  • Support: Paper

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